French black metal unit Diablation has set 27 September as the release date for its third and final album, Irrévérence, out via Osmose Productions on CD and vinyl LP formats.
After experiencing a journey into the depths of despair, Diablation imagines the future of a newly elected people saved from the emerging apocalypse. The band depicts this future in great detail in its new transcendent opus, consisting of seven tracks mixed and mastered by Seb BST.
The tracks evoke violence and epic emotions, inspiring courage, honour, and adoration towards the Architect of this world. The metallic anthems crafted by VOA are supported by incantations chanted tirelessly, backed by a martial, heady rhythm driven at a frantic pace by Rémi Serafino (drums) and Max (bass).
The final work of the group features the last words of its martyr singer Arkames, who is now doomed to silence. The work symbolizes irreverence, counter-revolution against modernism and liberalism, and the desire for a restoration of His Reign. The closing words of the work are: "Oh God, I rely on you, that we can one day become King again". May this sentiment guide us until our last breath.
The first track will premiere on 3 September. Link
Irrévérence tracklist:
1. 144000
2. Eternel
3. Purification
4. Par La Haine
5. Chrysanthèmes Au Nouveau Monde
6. Ad Universum
7. Le Dernier Roi
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"I think it's basically a mutation of a lot of different things — like a hybrid creature nobody quite knows how to categorise. A heretic, I guess." - Håvard Ellefsen (Mortiis)
"The speech that they hate is my speech, but my speech is not a hate speech. What can you do? You can just mirror/reflect them - hopefully, they will see how grotesque..." - Dero Goi
"This time we're trying not to complicate things too much. We want to have a simple message, but that doesn't mean there will be fewer arrangements or less songwriting..." - Pedro Paixão
"I like to call our music suicide pop, because our songs are pretty easy to listen to, but the topics are very negative and quite dark. It's pop, but negative pop." - Simone Salvatori
