TERRA RELICTA COMPILATIONS
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MINISTRY - Preview Their Farewell Album With New Track “We Hate”
Industrial pioneers Ministry have unveiled a brand new single and video, “We Hate”, offering another fierce preview of their upcoming and final studio album Hate To Go (Take Out Or... -
MILDREDA - Introduces "Virtual Goddess" From Realities
Dark electro act Mildreda has brought forward a new track, "Virtual Goddess", featuring the legendary Suicide Commando. The piece is taken from their upcoming record Realities, scheduled... -
IAMX - Announces Recollections – Unique Best Of Shows Tour, Returning To Europe With Special Performances And Intimate Fan Event
The experimental synth‑pop and dark electronic force IAMX will return to Europe this summer with the Recollections – Unique Best Of Shows Tour, a series of performances blending iconic... -
FEN - Cuts Another Piece From Elemental Part One: Mourning Earth
East Anglian post‑black metal outfit Fen have served another advance track from their forthcoming opus, Elemental Part One: Mourning Earth, poised to see the light of day on 21 August...
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AUX ANIMAUX
"When I found the goth scene and the music and everything around it, I slowly started to find my true self again. I'm fascinated by Satanism - not because I worship Satan..." - Gözde Duzer -
BLACK SATELLITE
"We were kind of exploring dark subject matters and darker sounds. I really like that, and this is the direction we are going right now." - Larissa Vale -
ANTIMATTER
"I'm quite obsessive, and when I work on music, I can overwork and get myself in trouble. I always had a breakdown when I finished an album, because I drove myself to the brink." - Mick Moss -
DYMNA LOTVA
"I can call our show an emotional exhibitionism. If you want to drink beer and cry, please come to our show, haha." - Nokt Aeon
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![Choke Chain - Decomposition [EP]](/images/Albums/REVIEWS/chokechain_decomposition.jpg#joomlaImage://local-images/Albums/REVIEWS/chokechain_decomposition.jpg?width=1200&height=1200)




























![Liv Kristine - Deus Ex Machina [Re-Release]](/images/Albums/REVIEWS/livkristine_deusexmachina.jpg#joomlaImage://local-images/Albums/REVIEWS/livkristine_deusexmachina.jpg?width=1200&height=1200)







"The speech that they hate is my speech, but my speech is not a hate speech. What can you do? You can just mirror/reflect them - hopefully, they will see how grotesque..." - Dero Goi

Terra Relicta, the dark music online magazine and radio, proudly presents its ninth compilation – Five Years Under, created in celebration of the fifth anniversary of Terra Relicta Radio.
Following "Feelings" — a call to protect our humanity — and "Apology", a stark examination of ego and entitlement, I Ya Toyah's new single "Closer" completes a compelling trilogy exploring...
Symphonic metal group Deep Sun have unveiled "Worship The Warship – Live", the second cut taken from their impending live album Vollständiges Live‑Album, set to land on 24 September...
French modern/industrial metal visionaries Heartlay return with “Medicate”, a heavy yet melodic new single that exposes a darker, more atmospheric facet of the band’s sound. Built on...
Corlyx continue their streak of guitar‑driven singles rooted in 80s and 90s goth subculture with “Your Heart In The Serpent’s Mouth” — a dream‑pop‑meets‑doom‑gothic‑rock piece that...
Swedish symphonic extreme‑metal visionaries Zornheym present their third single, “The Funeral March”, taken from the band’s forthcoming studio album Descending Into Madness, arriving...
The masterful blend of post‑punk rawness, melancholic darkwave, gothic atmosphere, and pulsating electro energy works exceptionally well live. Ash Code’s extensive stage experience is evident; even without excessive interaction, a magnetic connection forms...
It was already around midnight when NNHMN stepped on stage. Despite some initial sound issues, they quickly captivated the now sizeable audience with their danceable yet icy darkwave and coldwave, infused with touches of techno and dark pop. Their performance...
There was a sense of excitement and anticipation in the air as fans of all ages lined up outside the legendary Crocodile venue in Seattle on the evening of 4 April. The Sleepless Empire tour had descended. With supporting acts VOWWS and Escape The Fate in tow.
IAMX delivered a fantastic show. Jon, sometimes masked and sometimes not, was superb on drums, the interactions between Chris and Gözde added a sensual layer to the performance, and Chris is, in himself, an "artistic‑energetic" entity who naturally draws the eye.
We had witnessed an unusual, dynamic, emotionally charged and thoroughly excellent concert by one of Europe's most distinctive electro/synth‑pop/industrial/darkwave acts, Kirlian Camera. It wasn't an impeccable show, but it was emotionally raw—and still stellar.









