The electro‑industrial unit Damage Control has returned with a brand new single, “Oblivion”, a track that deepens their signature blend of atmospheric tension and precision‑engineered heaviness. The project’s core lineup — Bill Barsby, Richard Thacker, and Alex Wise in Australia, together with Markus App in Germany — continues to draw on a cross‑continental creative pulse. Barsby and Thacker, both originally from Birmingham, England, bring decades of industrial lineage into the project’s evolving sound.
“Oblivion” marks the group’s second recent collaboration with Danish icon Leæther Strip (Claus Larsen), whose unmistakable vocal presence cuts through the track’s dense electronic architecture. Built on custom Kemper‑driven guitar textures and layered synth atmospheres, the single aims for introspection and emotional gravity rather than brute force.
The production team reinforces that ambition: Chris Peterson (Front Line Assembly, Noise Unit, Unit:187) handles production, while Greg Reely (Skinny Puppy, Front Line Assembly, Fear Factory) provides engineering — a pairing synonymous with the highest calibre of Canadian industrial sound design.
The new single follows January’s “Rage”, also featuring Leæther Strip. Reflecting on the collaboration, Barsby noted their long‑standing admiration for Larsen’s work since the early ’90s club era: “We’ve always loved Leæther Strip and were curious to hear what the combination of our song, Claus’ vocal, and Chris’ production would sound like.”
Damage Control’s collaborative spirit has been central to their identity since their well‑received 2017 debut Ultranoia, which featured contributions from artists across the globe. That approach continues on their long‑awaited follow‑up album Oblivion Grid, with further details to be revealed soon. Peterson and Reely remain key figures behind the console for the new record as well. “Oblivion” is available now. Link

Swedish dark alternative metal veterans Outshine have unveiled the cinematic new video for "Emptiness Inside", marking a striking new chapter in the band's ongoing narrative universe.
Italy's doom metal formation In Vespro have presented their debut full‑length, Where Silence Used To Sleep, a work deeply rooted in the early '90s doom/death tradition. Echoes of early...
The Eternal have put out a captivating music video for their latest single, "Colours Fade", offering another compelling glimpse into their new opus, Obscured Horizons, earmarked for...
Following The Geometry Of Ruin, introduced in May, GIO now share their new full‑length testimony: Sanctified Hunger, a twelve‑track album constructed in three acts and framed as a declaration...
"I always wanted to express my emotions with my music, and this is what I do. And I think true music lovers feel when music is coming from the heart." - Tilo Wolff
"I think it's basically a mutation of a lot of different things — like a hybrid creature nobody quite knows how to categorise. A heretic, I guess." - Håvard Ellefsen (Mortiis)
"When I make a song, I know I could do it better, but I'm happy with it. It doesn't have to be perfect, and I like it when it's not. That's why I can make it that way." - Rapha Hell
"This time we're trying not to complicate things too much. We want to have a simple message, but that doesn't mean there will be fewer arrangements or less songwriting..." - Pedro Paixão
