Portland's (USA) shadow‑soaked post‑punk/darkwave force Shadowlands continue their ascent toward the release of their fourth album, 004, sharpening their distinctive blend of impassioned post‑punk, introspective darkwave, and ‘80s‑tinged horror synth. Their sound — a vivid collision of sombre dreamscapes, icy arpeggios, and soaring, emotionally charged vocals — grows more immersive with each new chapter.
Following the earlier singles “Burdens” and “Let’s Fall Apart”, the band now return with their third offering, “Clicks”, a track that widens the emotional and conceptual terrain of 004.
Where the previous singles delved into grief, memory, and the pressure to conform to impossible ideals, “Clicks” shifts its gaze outward. Here, Shadowlands confront the dissonance of modern existence — a world increasingly filtered, curated, and mediated through screens.
The band elaborates on the song’s core tension: “The digital world keeps growing, making us less present with nature — with what makes us human, what connects us, what makes us real. ‘Clicks’ get you where you need to go… but isn’t it all so totally meaningless? We’ll ask for clicks on this song. They may come. And it’ll mean a lot — until it doesn’t. There’s a brief dopamine hit, we’ll say thanks… and then it’s gone. We do appreciate it, though.”
Sonically, “Clicks” mirrors that existential push‑and‑pull. It opens in an eerie, horror‑lit haze before fracturing into something tense, rhythmic, and strangely danceable. The track builds into a hypnotic pulse — what the band calls an “IRL neurochemical symphony” — grounding the listener in something immediate and physical amid the digital static.
With each new single, 004 reveals itself as a record unafraid to confront both internal and external realities with equal intensity. It is an album shaped by mood, texture, and emotional candour — and one that promises to expand the band’s already formidable sonic identity.
004 arrives 24 April via Seeing Red Records, positioning Shadowlands alongside artists such as Chelsea Wolfe, Esben And The Witch, Emma Ruth Rundle, and Darkher — while remaining unmistakably, defiantly their own. The previously released “Let’s Fall Apart” can be found over HERE. Link

Dead Register have released their Fiber (10th Anniversary Deluxe Remaster) under AVR, marking a decade since the album's original unveiling. To accompany the release, the band have shared...
Grain Of Pain mark the release of their new album, Behind Us All — out today via Noble Demon — with a haunting new lyric video for the track "Ruins Of The Heart". Mastermind Timo Solonen...
Electro‑rock/post‑punk four‑piece Design have released another video single, "Blame", taken from their upcoming album Faithless, due later this year via Overdub Recordings. Following...
Rio de Janeiro‑based musician Paulo Metello presents Normandia, his third solo album. Following Liquid Sky (2019) and Saudades, Memórias & Sonhos Lúcidos (2023), this new body of work...
"We were outsiders, and nobody knew what the fuck was going on. We just listened to this extreme music that nobody else liked, and that made us very strong..." - Mikael Stanne
"When I found the goth scene and the music and everything around it, I slowly started to find my true self again. I'm fascinated by Satanism - not because I worship Satan..." - Gözde Duzer
"I find it really bizarre, because right after the concert, you're already on the internet. I mean, come on. It's very different from how it used to be, but it's fine." - Anja Huwe
"With this approach, we're in the minority nowadays, but it's precisely this niche and the emotions that were..." - Arkadiusz Wachowicz

