German dark electro/cyberpunk force Neuroklast return with a blistering new single and video, "Lilith", marking a dramatic shift in sound and attitude. The track introduces Rage, the band’s new frontwoman — a vocalist whose ferocity, guttural power, and commanding presence push Neuroklast into their most aggressive territory yet. This is cyberpunk metal stripped of polish and set ablaze: heavy, abrasive, and defiantly unrestrained.
With "Lilith", Neuroklast make it clear that the rules have changed. "We got bored of behaving," the band states. "'LILITH' is what happens when Neuroklast stops playing it safe with four‑on‑the‑floor hypnosis and lets things hit sideways. Our newest member Rage didn’t come in to decorate shit. The voice grabs the track by the throat. It talks, snaps, spits right in your face! The metal is in the attitude, not the label. The dancefloor is still there, but it’s hostile now. No release. No hands‑up moment. Just pressure and bad intentions. If this triggers you, good. That’s the point."
The single is taken from the band’s upcoming album Hellfire, set for release on 13 March via darkTunes Music Group. If "Lilith" is any indication, the album promises a scorched‑earth approach: no grace, no saviour, just raw noise, unfiltered truth, and flames high enough to burn the mythos to the ground.
"Lilith" isn’t merely a song — it’s the moment the crown cracks and the old order collapses. Neuroklast have lit the match, and they’re not looking back. Link

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"It's my kind of duty to provoke people and to make sure they feel something — to dance, cry, do whatever they feel. I do motivate them, because that's my purpose." - Chris Corner
"I find it really bizarre, because right after the concert, you're already on the internet. I mean, come on. It's very different from how it used to be, but it's fine." - Anja Huwe
"There were already bands doing small illustrations of symphonic metal, and I was thinking, why doesn't someone do this all the time?" - Christofer Johnsson
"It's a dark album. According to me, it's the darkest yet in our discography. It's also very suggestive, very introverted, less direct, and might be less friendly..." - Daniel Moilanen

