Lost Signal, the electronic music project of New York state-based Charles Rehill, who is a collector of hardware synthesisers inspired by the melodic vibrancy of composers ranging from Vangelis to Ólafur Arnalds, released a new single, "Entropy", via Metropolis Records. A cinematic, slow-burning elegy that explores the collapse of connection through the language of astrophysics, it draws on themes of cosmic decay and emotional disintegration, pairing stark, atmospheric soundscapes with lyrics that imagine a universe unravelling in sync with a fading relationship.
The song's haunting refrain: "Even though there's nothing after / Even though we die alone" underscores its meditation on memory, loss and the human instinct to hold on even as everything drifts into darkness. A poignant blend of science and sorrow, "Entropy" is a quiet reckoning with the end of a world, a love, as well as the light that once connected them.
"Entropy" features a special Dolby Atmos version (on digital platforms that support it) and is the first single to be issued from a forthcoming album, Light Of Other Days, which is set for release on 7 November via Metropolis Records. Framed by the instrumental overture "Departure" and its closing counterpart "Return", it journeys through themes of memory, mortality and fragile hope. Songs such as "Dream Within A Dream", "Not The End Of Me" and "Before Today" wrestle with despair, resilience and the illusions we cling to, with "Entropy" expanding the frame to cosmic finality. With its cinematic lyricism and shadowed textures, Light Of Other Days emerges as a haunting meditation on what we remember, what we invent and what inevitably fades.
Charles Rehill began with production and sound design work in the late '90s when he signed his first record deal as a teenager subsequently led to a fruitful career working for synth manufacturers. The compulsion to create and elevate life's colourful moments is why Lost Signal exists.
You might also want to check out Lost Signal's last year released "Clover" over HERE. Link

The twelfth chapter of the Terra Relicta DARK MUSIC AWARDS has come to a close. Terra Relicta nominated 50 albums from more than 450 releases, and you chose the winning album, our dedicated...
After a seven-year hiatus, multi-disciplinary artist Snovonne "Sno" Drake returns with "Soak" - an existential, baroque-infused rock/pop piece exploring emancipation through self-acceptance.
The mysterious Bucharest‑based symphonic/gothic/doom metal ensemble Green Eyes Of Darkness will release their long‑awaited debut album, Fire Waves, on 22 December through Loud Rage...
Till Lindemann, the exceptional artist and iconic frontman of industrial metal titans Rammstein, has released his brand‑new double single “Alles ändert sich”. Presented in two distinct...
"I don't tend to judge people, but I do judge them if they're too lazy to engage in independent thought or if they're simply careless and don't consider the consequences..." - Sven Friedrich
"Goth people want to have fun sometimes too. I guess if your listening time is 99% dark, sad songs or evil black metal songs, sometimes you want 1% joy, and here I come." - Franck Hueso
"I find it really bizarre, because right after the concert, you're already on the internet. I mean, come on. It's very different from how it used to be, but it's fine." - Anja Huwe
"For my sake, I could just stop playing the old stuff, but on the other hand, I know that our fans want it." - Anders Kobro
