Extreme metal institution Cradle Of Filth is thrilled to announce its 14th studio album, The Screaming Of The Valkyries, out on 21 March via Napalm Records. Available for pre-order now, the album excels as a succinct summation of the ghosts of Cradle's past while taking bold new steps into the future.
Entrance yourself with a brand new Cradle Of Filth's anthem for a new era - "To Live Deliciously" - out today. The track hits with rhythmic, menacing urgency built around a Libertine lyrical hook that twists and writhes with aggression, atmosphere and melody.
Cradle Of Filth's master of ceremonies Dani Filth says about the new track: "The song is about the celebration of life. Of indulging in everything unfettered from the conformities of religion, fashion or state. Free from guilt or constraint. As nature intended. It could be read as a hedonistic life code. And a positive one if not done at the expense or the suffering of others. To delight in simply 'being'. Being alive and free in the here and now".
On The Screaming Of The Valkyries, frontman Dani Filth's recognizable scream and equally identifiable growl stand mightily alongside twin guitar attacks, symphonic flourishes and explosive rhythm section, implemented by drummer Martin "Marthus" Skaroupka, bassist Daniel Firth, guitarists Marek "Ashok" Smerda and Donny Burbage, and keyboardist/vocalist Zoe Federoff.
After album opener "To Live Deliciously" hits immediately, the second track, "Demagoguery", blends dark beauty, blast beats and slaytanic groove as only Cradle can combine. Across the album's blunt and unforgiving yet inviting expanse, Cradle summons the succulent flavours of classic albums like Dusk And Her Embrace and Cruelty And The Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence Is Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death 'n' roll. "White Hellebore" is Cradle Of Filth at its most devilishly straightforward, juxtaposing traditional heavy metal with blasts of thrashing fury, spinning back to operatic goth without sounding disjointed. Anchored by arguably the most mournful melody in their catalogue, "Non Omnis Moriar" ("I shall not wholly die") could be a cousin to Paradise Lost or Anathema, inverted through Cradle's thorny prism. "You Are My Nautilus" is the darkest song Cradle Of Filth ever wrote, spinning an epic tale with duelling guitars while "Ex Sanguine Draculae" conjures the Dusk-era atmosphere with imaginative new colours.
Produced, recorded, mixed and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The Screaming Of The Valkyries beckons the brave into a new era of Cradle Of Filth misadventure, celebrating massive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of unbridled revelry. The Screaming Of The Valkyries is a bloody dark love letter to the longtime legion of Cradle Of Filth faithful and a stunning entryway for fresh lambs to the sonic slaughter.
The first revealed upcoming album's single/video, "Malignant Perfection", is HERE. Link
The Screaming Of The Valkyries tracklist:
1. To Live Deliciously
2. Demagoguery
3. The Trinity Of Shadows
4. Non Omnis Moriar
5. White Hellebore
6. You Are My Nautilus
7. Malignant Perfection
8. Ex Sanguine Draculae
9. When Misery Was A Stranger
With the arrival of their third full‑length Night Is Calling fast approaching — scheduled to land this Friday, 3 July, on Napalm Records — Dominum shares the commanding title track as...
Embers Of Dawn have offered "The Only Gods (Remix)", a newly reimagined version of their 2023 track. The heavy industrial quartet will release their forthcoming full‑length, Infernal...
Poland’s industrial rock/dark pop outfit Her Own World returns with a haunting new single and video, “Like A Moth” — a track that dives deep into the perilous allure of temptation and...
Pittsburgh’s post‑punk/shoegaze veterans Lowsunday return with “You’re So Wired”, accompanied by a visually disorienting video crafted by Jer Herring. The track captures the rush of being...
"We go searching for sounds and ideas within ourselves and there in our dreams, in the moments when 'we are not here'." - Elena Alice Fossi
"When I found the goth scene and the music and everything around it, I slowly started to find my true self again. I'm fascinated by Satanism - not because I worship Satan..." - Gözde Duzer
"I don't tend to judge people, but I do judge them if they're too lazy to engage in independent thought or if they're simply careless and don't consider the consequences..." - Sven Friedrich
"You know, the music and songs just come, and we don't distance ourselves from the music that comes out." - Jyrki 69
