Since arriving on English shores in 2017, from their South African homeland, The Medea Project have established itself as a band with a unique identity; standing proudly astride the rifts that separate genres and subgenres and exploring the darkness that lies in the depths between. Their creativity feeds upon the shadows and they walk the borderlands, the uncertain places where nothing is ever as it seems.
They conjure songs and stories for those unsatisfied by the laws of everyday existence, those who will not be spoon-fed the bland gruel of accepted reality. And they are calling once again, beckoning you to follow them down the rough-hewn steps to the banks of Acheron, to ride the still, stygian waters...with Kharon.
The album entitled Kharon will be released on 20 June as a self-release. The date has been marked by a special launch show at London's Dingwalls 2 venue alongside My Silent Wake and The River. The Medea Project's invocations have become darker than ever before, their essence even more unfathomable. Follow, listen, watch and accept their ineffable gifts.
Recommended to fans of Celtic Frost, Tiamat, A Pale Horse Named Death and Darkthrone. You can now watch the new lyric video and listen to "Purgatory Trapped" right below. Link
Kharon tracklist:
01. Absence, In Loss
02. The Cave Song
03. Purgatory Trapped
04. Upon Your Bones
05. Dance Of The Void
06. The End
07. Reborn
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"It's not only about me; everybody deals with identity in a way because the world is asking so much of you all the time. You need to relate to..." - Raven van Dorst
"We're really into oxymorons and that sort of thing. Years and years ago, we came up with this idea—well, we didn't invent it, but we called it "happy sad"." - Matt James
"With Hypocrisy, I'm very "home", but with Pain, it's an adventure, just like going into the jungle only with a knife and no glass of water and trying to survive." - Peter Tägtgren
"There's much more detail in our music now than 20 years ago. It's also much easier nowadays because you can do many things at home." - Morten Lybecker
