Sweden's prog legends Opeth have, after a postponement, released their 14th studio album, The Last Will And Testament, through Moderbolaget / Reigning Phoenix Music. To celebrate the release, the band has served a lyric video for the song "§4", featuring a guest flute appearance by Jethro Tull's Ian Anderson.
Opeth's frontman Mikael Åkerfeldt comments on the track: "'§4' is an oddball song, just written by instinct. I'm not a clever guy when it comes to writing music. People call us 'thinking man's metal', I think that's laughable. I listen to music from so many different genres, it's impossible to me to stick to one genre. I find the idea boring to try and belong somewhere, we're a bit all over the place, and I think this song shows our diversity. For '§4' I was inspired by something called 'twelve note music', which I think is a classical term, where you're supposed to play twelve notes and you cannot repeat a note twice. I heard some of that music by classical pianists playing, and it sounds wicked, it sounds evil, it sounds really strange - so that inspired the initial guitar theme. There's a mellotron theme in the beginning, it just sounds odd, like it doesn't fit in, almost like a free-form jazz solo or something like that. But it quickly kind of lands in an almost traditional metal theme with a common response type death metal vocal that has a stereo double-tracked normal vocal response. I can't remember what happened during the writing process, but I reached a point where I just stopped and felt, 'OK, time for something strange!' We ended up with a flute solo by Ian Anderson of Jethro Tull, which was kind of an accident in a way because I asked him to do a narration, not flute. As he was doing the spoken word bits, he asked me 'do you need a flute solo?' I was like, 'yes, please!', while I didn't really have a part for a flute solo! I had to shuffle through the songs quickly in my head before he would change his mind. I had him on the hook, of course, I was gonna find a piece! So, he played almost like a common response type flute solo in '§4'. This is a great song with the ending piece being one of the more evil pieces of music I've written in a long time: it sounds really menacing, sick almost!"
For more regarding The Last Will And Testament, and Opeth's European tour 2025 dates, follow HEREs. Link


Greek ancient melodic black/death metallers Winter Eternal are streaming their fifth album, Unveiled Nightsky, in full ahead of its official release this Friday, 13 February, via...
The UK’s experimental synth‑pop and dark electronic project IAMX has released a brand new single and official music video, "Artificial Innocence". The track marks a shift from the...
Sweden's Viking/doom/black metal force Ereb Altor are set to embark on their previously announced European tour in support of their latest album, Hälsingemörker, released in February...
Black metal duo WitcheR have offered a video for the title track of their fourth full-length album, Öröklét, out on 4 November via Filosofem Records (CD and cassette) and Beveria...
"I'm quite obsessive, and when I work on music, I can overwork and get myself in trouble. I always had a breakdown when I finished an album, because I drove myself to the brink." - Mick Moss
"The speech that they hate is my speech, but my speech is not a hate speech. What can you do? You can just mirror/reflect them - hopefully, they will see how grotesque..." - Dero Goi
"Within this darkness, where there's no light at all, the golden raven still shines. It's not like a perfectly cut statue of Michelangelo..." - Val Perun
"It's not only about me; everybody deals with identity in a way because the world is asking so much of you all the time. You need to relate to..." - Raven van Dorst
