The American nuclear black industrial weapon Uranium returns to embody industrial music's most terrifying triumph. In its life-entombing thirty-six minutes, the band's brand new album, Corrosion Of Existence, takes the mysterious one-man band's concept of nuclear devastation to its most harrowing and inevitable conclusions, unfolding five new monstrous tracks of plutonium-fueled auditory terror that will dominate tyrannical above and beyond anything that the most lawless frontier of extreme industrial has ever fathomed or imagined.
An immense industrial and blackened noise construct inspired by acts like Godflesh, Swans, Brighter Death Now, Gnaw Their Tongues, and Merzbow levitates out of a world-ending idealisation, colliding with excoriations of techno and breakcore as well as with black/death metal influences from bands like Teitanblood, Portal and Irkallian Oracle into an unimaginable cauldron of destruction. Like an unstoppable chain reaction that has evaded any containment, Corrosion Of Existence exponentially escalates the destructive yield of its black/death metal-inspired 2023 predecessor album Pure Nuclear Death, transmuting its never-before-heard sonic assault into Uranium's most oppressive and inescapable conquest.
The album, Corrosion Of Existence, will be released on 7 November via Californian label Sentient Ruin Laboratories. You can begin experiencing this industrial sonic devastation with the first revealed track, "Descent Into Entropic Death". Link
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"You can see it in social media, in the world, with the wars going on, and I think it's an appropriate title for an album." - Skinny Disco
"For my sake, I could just stop playing the old stuff, but on the other hand, I know that our fans want it." - Anders Kobro
"This time we're trying not to complicate things too much. We want to have a simple message, but that doesn't mean there will be fewer arrangements or less songwriting..." - Pedro Paixão
"We're really into oxymorons and that sort of thing. Years and years ago, we came up with this idea—well, we didn't invent it, but we called it "happy sad"." - Matt James
