Madrid (Spain)‑based neoclassical act Antinoë, the one‑woman project of pianist and vocalist Teresa Marraco, has released her latest single “The Devil’s Voice”. The track offers another mesmerising glimpse into her forthcoming debut album, The Fold, set for release on 21 November via Karisma Records.
“The Devil’s Voice” highlights Antinoë’s gift for weaving neo‑classical elegance with the atmospheric weight of metal, creating soundscapes that are fragile, immersive, and profoundly melancholic.
Teresa reflects on the song’s theme: “I’ve always made the strangest choice. I’ve always heard the Devil’s Voice calling me. The theme is a somber reverie of denial, a Fold inward to reject the inner darkness that relentlessly hunts and seduces us, demanding to be embraced. A dynamic pursuit by a voice that cannot be unheard and expects an answer.”
With her ethereal voice and piano‑driven arrangements, Antinoë occupies a rare space in contemporary music—where the delicate beauty of artists such as Agnes Obel and Enya collides with the darkness of Chelsea Wolfe and Ulver. Yet her world remains uniquely her own: steeped in reflection, loss, and yearning, with an undeniable metal attitude coursing through her veins.
Following the earlier release of the single and video “Flock” (you can check it out over HERE), “The Devil’s Voice” continues to build anticipation for The Fold, a debut poised to establish Antinoë as one of the most compelling new voices in the neoclassical and darkwave landscape. Link
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"I find it really bizarre, because right after the concert, you're already on the internet. I mean, come on. It's very different from how it used to be, but it's fine." - Anja Huwe
"I hope that through our music and our words, people can feel that connection between us and them, and feel a little bit better — or at least less alone." - Alessandro Belluccio
"They wrote that we wanted to influence people's minds with our bagpipes so that they would be willing to attack the police." - Irdorath
"It's a dark album. According to me, it's the darkest yet in our discography. It's also very suggestive, very introverted, less direct, and might be less friendly..." - Daniel Moilanen
