Madrid (Spain)‑based neoclassical act Antinoë, the one‑woman project of pianist and vocalist Teresa Marraco, has released her latest single “The Devil’s Voice”. The track offers another mesmerising glimpse into her forthcoming debut album, The Fold, set for release on 21 November via Karisma Records.
“The Devil’s Voice” highlights Antinoë’s gift for weaving neo‑classical elegance with the atmospheric weight of metal, creating soundscapes that are fragile, immersive, and profoundly melancholic.
Teresa reflects on the song’s theme: “I’ve always made the strangest choice. I’ve always heard the Devil’s Voice calling me. The theme is a somber reverie of denial, a Fold inward to reject the inner darkness that relentlessly hunts and seduces us, demanding to be embraced. A dynamic pursuit by a voice that cannot be unheard and expects an answer.”
With her ethereal voice and piano‑driven arrangements, Antinoë occupies a rare space in contemporary music—where the delicate beauty of artists such as Agnes Obel and Enya collides with the darkness of Chelsea Wolfe and Ulver. Yet her world remains uniquely her own: steeped in reflection, loss, and yearning, with an undeniable metal attitude coursing through her veins.
Following the earlier release of the single and video “Flock” (you can check it out over HERE), “The Devil’s Voice” continues to build anticipation for The Fold, a debut poised to establish Antinoë as one of the most compelling new voices in the neoclassical and darkwave landscape. Link
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"We were kind of exploring dark subject matters and darker sounds. I really like that, and this is the direction we are going right now." - Larissa Vale
"For my sake, I could just stop playing the old stuff, but on the other hand, I know that our fans want it." - Anders Kobro
"The speech that they hate is my speech, but my speech is not a hate speech. What can you do? You can just mirror/reflect them - hopefully, they will see how grotesque..." - Dero Goi
