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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

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Random album

Wormlight - Wrath Of The Wilds (2018) - Review

Band: Wormlight
Album title: Wrath Of The Wilds
Release date: 25 April 2018
Label: Black Lion Records

Tracklist
01. Wrath Of The Wilds
02. Reptilian King
03. Vittramark
04. The Ghostligh’s Dance
05. Cry Of The Nameless
06. On Tattered Wings
07. Nightmare
08. Invocation (Intro)
09. Feast Of The Mountain Kin

Wormlight's debut album named Wrath Of The Wilds is now finally out via the magnificient fast rising Swedish extreme metal label Black Lion Records. This guys come from the black metal crib, Scandinavia, more specifically from the town Umea in Sweden. The band is not completely unknown, as it was formed in 2014 and has two EPs released so far, An Ancient Enemy (2014) and Bloodfields (2015) under the moniker Unhallowed. Since the formation they undergone several modifications in the line-up and were in 2015, when they released Bloodfields, joined by Tiamat Invictus (Sons Ov Omega). A phenomenal artist who became one of the driving forces inside the formation and is currently responsible for vocals and guitar. When Tiamat Invictus joined they changed their name to Wormlight. The current line-up consists of Tiamat Invictus, Lator Mortis (ex-Torn Apart) on guitars, Lord Arktos (Sons Ov Omega) on bass and King Antichrist (Graveless, Black Shining Death) on drums.

Wormlight surprised me with this debut album as I was served with a perfect dose of melodic black/death metal. It's an excelent work of extreme art that has a lot of influences from mid-90s Scandinavian black metal, yet it's meticulously structured, it has a certain dark vibe and comes with interesting lyrical thematics centered around ancient Scandinavian folklore. Wrath Of The Wilds consists of nine icy atmospheric tracks (including one intro), assisted by mesmerising melodic solos, abundance of fast tremolo pickings, energetic blasts and tenebrous shrieks intertwined with death growls. The cold and the deep atmosphere of this album took me on a heavy and terrifying journey from the begining to the end.
 
Wormlight have composed some excellent songs for Wrath Of The Wilds and I found some nice inclusions like in the beginning of "The Ghostlight’s Dance", a heavy metal style that transmutes the track into some blackened death metal, and in "Tattered Wings" that offers some beautiful piano notes that are followed by a more symphonic approach. I would like again to highlight the excellent performance of Tiamat Invictus not only on vocals but also in conjunction with Lator Mortis on guitars. I can't skip to mention as well a great performances by drummer King Antichrist and bassist Lord Arktos who presented a high level of skill and adaptation in the most rhythmic parts of this album.

I find it very difficult to point out any favorite tracks, but I will choose "Reptilian King", the already mentioned ones, "The Ghostligh's Dance" and "Tattered Wings", and I can't skip the amazing "Feast Of The Mountain Kin". Nevertheless, Wormlight conquered me and all I can say is that Wrath Of The Wilds is an admirable album with excellent compositions, great production and instruments played with precision and a lot of skill. Congratz to these rising masters of darkness.

Review written by: Felin Frost
Rating: 9/10

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Recommended by Terra Relicta

Band: Near Earth Orbit
Album title: Trans Neptunian Objects
Release date: 9 October 2015
Label: Solar Lodge

We are back in the future, exactly in the year 2034. The second chapter of Near Earth Orbit invites us again to experience an imaginary movie created by the force of sound. Now the mother Earth is left behind, it went into ashes; do you remember the last words on End Of All Existence from the communication between the Mission Control Centre and Ashley Dayour? "OMG the apocalypse is fucking beautiful!", Ashley said in the end of the of the album which was released in May this year, and then it was only silence... Now Artaud Seth (Garden Of Delight, Merciful Nuns, Lutherion) and Ashley Dayour (Whispers In The Shadow, The Devil & The Universe, Coma Divine,...) are deep in the space. Trans Neptunian Objects reveals why the E.D.E.N. mission was discharged there and how it got there, the significance of the Einstein-Rosen Bridge and also which part a pre-human device buried deep in the desert sand has got to play in all of this. It's almost impossible to separate the first Near Earth Orbit's chapter, End Of All Existence, and the second one, Trans Neptunian Objects. Musically the new effort by Artaud and Ashley differs a bit from the previous one. While the biggest emphasis on the first chapter was on dreadful apocalyptic atmosphere, now the two based their sound a bit more on powerful, still very cinematic and atmospheric doomy gothic rock. Trans Neptunian Objects is a strong and dark album from every possible point of view, it's a solid and extraordinary release, perfectly capturing the feeling and experience of being in the vastness of space, yet it's very well produced piece of unique sonic darkness that shouldn't be missed out.

Read a full review HERE