This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.

Please consider supporting this website by disabling your ad-blocker. This website does not use audio ads, pop-ups, or other annoyances. And please support Terra Relicta by giving a little donation if you can! Thank you!!!



Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Sorrowful Land - Where The Sullen Waters Flow [EP] (2017) - Review

Band: Sorrowful Land
Album title: Where The Sullen Waters Flow [EP]
Release date: 15 December 2017
Label: Solitude Productions

Tracklist:
01. As I Behold Them Once Again
02. Where The Sullen Waters Flow
03. The Night Is Darkening Around Me

Ukraine's atmospheric doom/death one-man band Sorrowful Land is back with a new EP entitled Where The Sullen Waters Flow and if you ask me I'd take this any day over the new so very hipped Bell Witch album. Sorrowful Land initiated the ears of the listeners with the in 2016 released debut album Of Ruins..., a strong melodic and very melancholic solid death/doom record that is sure to please just about any doom fan. Now one year later they return with a strong effort, maybe even stronger than was their debut album, a three track EP featuring some fascinating heavy, slow, utterly melancholic and dramatic piece of music.

With epic melodies and slow chord progression Ukraininan musican Max Molodtsov manges to take the listener away into the vast atmosphere of their music, it's like an everlasting journey into the depths of abyss. Much alike to the debut album the song structures remain fairly untouched which can be a good and a bad thing for some bands, but in this case its signature sounds almost perfect and it works out great. With great slowly waveing captivating melodies, great atmospheric synths, powerful rhythms when necessary and dynamic vocals, that range from deep brutal ones to clean and dramatic spoken ones, Sorrowful Land delivers one stunning piece of doleful but sweet darkness. On the emotional level is something similar in mood to what we were used to hear from My Dying Bride.

With a running time of around 30 minutes you don't need to listen too long to understand why this EP is gonna be a doom hit in last weeks of 2017. The songs are lengthy but not boring at all, between 9-10 minutes and it dosen't matter when the music created is done so well. Much like the latest Evadne album Sorrowful Land stands right there on top of their game with bands like Saturnus, Doom:VS, When Nothing Remains, Vanha,... but still bringing their own game to the fields.

Both 2016 and 2017 have been filled with amazing doom/death records and it makes sense in a way that this dark beauty was released now, as the darker time of the year is here! If you are into the more atmospheric doom or death metal then this band is really up your alley, and it deserves every listen you give it cause it's a strong EP as it can be. It might sound cheesy to praise it this high but from a personal perspective it's just a brilliant release that should really be taken into account when looking for good music in 2017.

Review written by: Oliver
Rating: 9/10

BUY ALBUM HERE

Recommended by Terra Relicta

Band: Gnaw Their Tongues
Album title: Hymns For The Broken, Swollen And Silent
Release date: 9 December 2016
Label: Consouling Sounds

There are many differing opinions out there as to what constitutes 'dark music', but albums such as the latest release from Gnaw Their Tongues, Hymns For The Broken, Swollen And Silent are unquestionably dark. This album is one of the darkest, most depraved shit-fests. There is no way that only one man; Maurice "Mories" De Jong (also of Aderlating, Cloak Of Altering, De Magia Veterum and others) concocted this madness. Program drums, synths, samples and bass guitar are the main offenders on this album as well as unorthodox song structures with off beat breakdowns and unpredictable drum patterns. There is also an effective use of empty space, dramatic fall aways and dynamic range that make this album stand out compared to other such compositions in the genre that are usually choked up and crammed in mercilessly with no breathing room whatsoever.

Read a full review HERE