Please consider supporting this website by disabling your ad-blocker. This website does not use audio ads, pop-ups, or other annoyances. And please support Terra Relicta by giving a little donation if you can! Thank you!!!



Terra Relicta Top 20 Of 2017



01. Sólstafir
- Berdreyminn
02. Ulver
- The Assassination Of Julius Caesar
03. Lacrimosa
- Testimonium
04.
Sun Of The Sleepless - To The Elements
05. Au Champ Des Morts
- Dans La Joie
06. Peter Bjärgö
- Animus Retinentia
07. End Of Green
- Void Estate
08.
Anathema - The Optimist
09. Friends Of Alice Ivy
- The Last Days Of Fenwyck
10. Last Leaf Down
- Bright Wide Colder

More HERE

Random album

La Scaltra - Freakshow (2017) - Review

Band: La Scaltra
Album title: Freakshow
Release date: 15 September 2017
Label: Solar Lodge

Tracklist:
01. Intro
02. Devils Playground
03. Cantate
04. The Cat Lady
05. Gloria
06. A Remedy
07. Sonar Dance
08. Holidays
09. Chained Hysteria
10. Black Wedding

Two German banshees called La Scaltra have already made a name for themselves with their last year released debut album Cabaret and the EP Ghosts. The band soon got attention and was signed by one of the most respected goth labels out there, Solar Lodge (Merciful Nuns, Aeon Sable, Whispers In The Shadow,...), and it seems that Aeleth Kaven and Dae Widow, with the help on guitars provided by Jay Sharpe are quite creative, and so here comes already their sophomore full-lenght called Freakshow. La Scaltra intend on sharing sorrow, pain and loneliness with their fabulously unique voices, and while Dae loves hope and East-Asian mysticism, Aeleth prefers the occult and venerates black metal. Ok, you won't hear any black metal in here, neither any kind of typical oriental music, but most certainly this kind of venerations bring to their sound somehow unique elements that meticulously garnish their minimalistic compositions. 

Freakshow is an interesting album, it's not a thing that grows on a listener so easily, even if it doesn't bring any kind of sophisticated sound, but it's the uncompromisingly cold, dark, eerie and sinister atmosphere that needs some time to be fully grasped. Freakshow is in a way a bit less emotional than it was the debut Cabaret, but it's absolutely more haunting and hypnotic. Song structures are mainly minimalistic, yet very atmospheric and might work best as some kind of an ending score to some 60s or 70s horror movies. The main characteristics of La Scaltra are cold yet sometimes gentle, dreamy and sensitive vocals, impellent drum machine, gothy ambiental synths, reverberate bass lines, lush electronic samples and gritty darkwave/gothic guitars, that from time to time offer some very heavy riffs.

Even if the sound is pretty minimalistic, the whole ambiance that they create is pretty dense and quite rich, always very dark soundscapes here and there become psychotic and strangely danceable, for example "Cantate" or "Holiday". It's also obvious that La Scaltra don't try to copy anybody, more likely the main inspiration comes from their affinity for horror movies and it'll be nothing strange if you'll imagine a group of witches dancing around the fire in the woods while listening to Freakshow. They put a lot of imagination in the whole thing, also the songs are quite diverse between each other, ranging from cold wave, darkwave, minimal-synth-wave to post-punk, but done in special, somehow theatrical way. 

Like I said before, Freakshow can become very addictive and is absolutely hypnotic dark album which in my opinion reaches its peak in the songs like is cavernous ambiental horror rock of seven minutes long slow paced "Gloria", with addition of deep and dark male vocals provided by guest Ashen (Aschfahl). Then I was enthused by the fantastic captivating and very strong yet nicely building up rendition called "A Remedy", some great guitar lines in here, and absolutely by so very evocative closing one "Black Wedding", where we can once again hear Ashen giving support to the girls. Some of the songs might become a bit too monotone, linear, or at least too mellow, for example "Sonar Dance", which surprisingly is driven by EBM beats to make it a bit more vibrant and groovy. As well the uninspired "Chained Hysteria" with its kind of gothic/electro rock vibe was not one of my favorites. Nevertheless, some fillers don't hurt and on the other hand might work out as relaxing pieces between more extravagant ones. 

La Scaltra with Freakshow offer ten songs of high value. What this two witches are doing I would call darkwave in its most respective form. It's elegant, mystical, dreamy and grisly. As well the production is very good. Freakshow is coldness and darkness all over, it's indulging in one’s hidden fantasies and is one of those albums which have that kind of seductive power that can possess you and it doesn't let you go so easily.

Review written by: T.V.
Rating: 8/10

BUY ALBUM HERE

Recommended by Terra Relicta

Band: Near Earth Orbit
Album title: Trans Neptunian Objects
Release date: 9 October 2015
Label: Solar Lodge

We are back in the future, exactly in the year 2034. The second chapter of Near Earth Orbit invites us again to experience an imaginary movie created by the force of sound. Now the mother Earth is left behind, it went into ashes; do you remember the last words on End Of All Existence from the communication between the Mission Control Centre and Ashley Dayour? "OMG the apocalypse is fucking beautiful!", Ashley said in the end of the of the album which was released in May this year, and then it was only silence... Now Artaud Seth (Garden Of Delight, Merciful Nuns, Lutherion) and Ashley Dayour (Whispers In The Shadow, The Devil & The Universe, Coma Divine,...) are deep in the space. Trans Neptunian Objects reveals why the E.D.E.N. mission was discharged there and how it got there, the significance of the Einstein-Rosen Bridge and also which part a pre-human device buried deep in the desert sand has got to play in all of this. It's almost impossible to separate the first Near Earth Orbit's chapter, End Of All Existence, and the second one, Trans Neptunian Objects. Musically the new effort by Artaud and Ashley differs a bit from the previous one. While the biggest emphasis on the first chapter was on dreadful apocalyptic atmosphere, now the two based their sound a bit more on powerful, still very cinematic and atmospheric doomy gothic rock. Trans Neptunian Objects is a strong and dark album from every possible point of view, it's a solid and extraordinary release, perfectly capturing the feeling and experience of being in the vastness of space, yet it's very well produced piece of unique sonic darkness that shouldn't be missed out.

Read a full review HERE