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Terra Relicta Top 20 Of 2017



01. Lacrimosa
- Testimonium
02. Sólstafir
- Berdreyminn
03. Soror Dolorosa
- Apollo
04. Ulver
- The Assassination Of Julius Caesar
05. Myrkur
- Mareridt
06. Sun Of The Sleepless
- To The Elements
07. Moonspell
- 1755
08. Au Champ Des Morts
- Dans La Joie
09. Andras
- Reminiszenzen...
10. Svartsinn
- Mørkets Variabler

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Nocte Obducta - Totholz (Ein Raunen aus dem Klammwald) (2017) - Review

Band: Nocte Obducta
Album title: Totholz (Ein Raunen aus dem Klammwald)
Release date: 26 May 2017
Label: MDD Records

Tracklist:
01. Innsmouth Hotel
02. Die Kirche der wachenden Kinder
03. Trollgott
04. Totholz
05. Ein stählernes Liedt
06. Liebster
07. Wiedergaenger Blues


Soon after the release of the album Mogontiacum (Nachdem die Nacht herabgesunken), which saw the light of the day last year, one of the most respected bands of the German black metal scene, Nocte Obducta, are back with a new full-lenght, Totholz (Ein Raunen aus dem Klammwald). The German band was formed in 1993 under the name Desîhra, between 1995 to 2006 acted as Nocte Obducta, has been called Dinner auf Uranos after and in 2011 returned as Nocte Obducta once again. The line-up consists on Torsten, known also from magnificient post-black metal band Agrypnie, on vocals, Marcel, also in Kamera Obskur on guitars/vocals, Stefan (Horresque) also on vocals and guitars, Flange (ex-Agrypnie) on keyboards and vocals, Heidig on bass and Matze (ex-Agathodaimon) on drums. Since the beginning of their career Nocte Obducta has been highly acclaimed by some and under-rated by others. The case is the band is not in the average, common sense, rather, they always let their music open to add whatever they decided that sounds good and express their unique style.

Totholz features seven songs with 42 minutes playing time, it’s an ingenious progression from their previous work, Mogontiacum. Nocte Obducta remains steady in their rough metal roots with typical harmonies, a mild doom metal atmosphere with many rhythmic variations and well structured arrangements. The German lyrics add a special charm, the language "per se" imprint a mature, intense and rawer tone.Totholz is an oppressive and cold form of "old school" black metal plus creativity. 20 years of road give all the charm to this album, that sounds much clearer with psychedelic tones in many parts of the tracks, the quality and palatability leave no doubts.
The somber instrumental intro, "Innsmouth Hotel," transported me to dark, moist and ghostly alleys, where murderous creatures lurked. “Die Kirche der wachenden Kinder”, sounds very interesting with those 90s keyboards and the aggressive guitar riffs and in some point sounding almost crystal dreamy. Special mention to the bass that sounds dynamic and centered. “Trollgott” is clammy with a primitive dark rock vibe.
 
The album title track, “Totholz”, is a watershed between the initial tracks that are dedicated to a black metal old school and the rest of the album. From my point of view, the second part of the album consisting of the tracks "Ein stählernes Liedt", "Liebster" and "Wiedergaenger Blues", is much more open and clean in terms of sound and compositions. In addition to introducing quite different elements, it often caused me some discomfort. I really enjoyed the tracks, “Die Kirche der wachenden Kinder”, "Trollgott", "Totholz" and "Liebster". While "Ein stählernes Liedt" and the last track, "Wiedergaenger Blues", did not please me, unfortunately. The first sounds less interesting and much more mellow than all other tracks. Then "Wiedergaenger Blues", which is an epic more than 15 minutes long song that uses subtle piano melodies allied with acoustic guitars in some point falls in too much psychedelic world of Pink Floyd.
 
I must confess that I haven't heard of the band until the moment I listened to this last album, but the extensive and rich discography showed me throughout the albums that this band is very perceptive in its musical expression. A band with this quality cannot be neglected, instead it should be revered for its originality and ability to dare without fear.

Review written by: Felin Frost
Rating: 8/10

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Band: Hymnambulae
Album title: Orgelhuset
Release date: 15 May 2016
Label: Hypnagoga Press

Hymnambulae is the product of siblings Par and Asa Bostrom. The Swedish duo release Orgelhuset as the first album on their nascent label, Hypnagoga Press. Par's magnificent grasp on sound manipulation, field recordings, and deep emotive drones is quite obvious throughout Orgelhuset. It seems that Asa has brought a very mystical, warm and more personal aspect into the fold, giving a perfect balance to Par's often cold and desolate musical output. These opposing forces naturally feed right into the concept of Orgelhuset. The siblings seem to speak from many places without ever leaving the organ house. The dichotomy of these opposites coming together brings a strong sense of mystery enshrouded in mysticism. Cold winds are felt as they penetrate the organ house while there is at once a warmth radiating from within. Fans of ambient, dark ambient, and neo-classical will all find aspects of this album to embrace and enjoy.

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