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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

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Random album

Ferndal - Ferndal (2017) - Review

Band: Ferndal
Album title: Ferndal
Release date: 21 April 2017
Label: Einheit Produktionen

Tracklist:
01. Ouverture Op. 1.1
02. Ferndal Op. 1.2
03. Ungelebtes Leben Op. 1.3
04. Klavierquintett in g-moll “Arntor, ein Krieger” Op. 1.4
05. In die Freiheit Op. 1.5
06. Ein später Gast Op. 1.6
07. Coda Op. 1.7

German melancholic/folk/classical/black metallers Ferndal started out in mid 2016 and now released their self-titled debut album. Ferndal's line-up consists of five talented musicians, being the main composers/lyricists Sorathiel (bass and vocals) and Lestaya (violoncello), plus Alboîn (drums), Abarus (guitars) and Sethras (guitars). This full-lenght debut of theirs features seven tracks, among them four long tracks and a classically orchestrated version of Windir’s, "Arntor". The cover artwork was created by the Spanish artist Norax, also known from the black metal band Lux Divina. The artwork of this release is pretty important as it shows the impressive painting of a desolated landscape, in which a single human, apparent as a shadow, stands before the sun in the shape of an eye. The motive reflects issues of the lyrics allegorizing the conception of the album. The lyrics address existentialist issues, self-reflection on life and death, self-knowledge that leads to freedom and growth of the individual.

Assuming the lyrics, Ferndal decided to explore different forms of expression in relation to the style of black metal. Instead of anger and hate, you will realize how melancholic and sad this album is. Ferndal is an ode to the melancholy of despair. The band basically manipulates two different musical atmospheres, but not unknown to each other. In this album we have the junction of classical music, represented mainly by the spectacular Lestaya cello and in the other hand the traditional rough black metal guitar riffs with some groaning vocals, yet clean as the guitars and drums.
 
The sound is a very melancholic, a bit folky, it's somehow clean and progressive style of black metal. In the tracks as "Coda", "Ouverture" and "Klavierquintett in g-moll, Arntor, ein Krieger", I felt myself surrounded by a fluid sensation between peace and despair. What impressed me most about this album was the classical music and guitars in kind of pain, very beautiful. Undoubtedly the classical part, the choirs and the vocals and the other instruments are in perfect harmony in certain sense. The melancholic tone, the epic and sweet atmosphere and all the elements added are impressive. As a lover of classical music, I would say that everything from this point of view is excellent.
 
But my problem lies in the fact that in the raw part, even if tackled in a more progressive way, the black metal elements had not convinced me. All the magnificence of the guitars that play along with the cello in many tracks are in a way lost when the band is introducing the heavy part. A greater engagement between the two styles is necessary to not obscure the whole thing. What I want to say is that an album like this that features a perfect, super emotional and epic piece of classical music deserves more fascinating, strong and an epic black metal approach as well. But afterall this is the first album of the band and the differentiated and artistic proposal presented in here lead me to believe that the next album will be just excellent.

Review written by: Felin Frost
Rating: 7,5/10

Recommended by Terra Relicta

Band: Palast
Album title: Palast
Release date: 21 April 2017
Label: NoCut

Palast is what a fan of synthesizer driven pop/experimental electro rock music should and would want: a modern approach to that catchy, eerie sound of retro sounding pop. Momentarily mawkish, but dead on serious at other times. And even though we live in an era when anything is possible just with a few clicks on a computer, Palast decided to go in there totally raw, so their sound is not based on computer samples – so no, this is not a retrowave album, it’s a ravishing synth-pop odyssey. Throughout ten tracks on the debut we are to witness the flirtatious elegance of Duran Duran, sexy darkness of Depeche Mode, catchy vibes of Alphaville, ethereal appeal of Hurts combined with imagery of today's biggest rockstars Muse.

Read a full review HERE