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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Dawn Of Oblivion - Soulmate [EP] (2017) - Review

Band: Dawn Of Oblivion
Album title: Soulmate [EP]
Release date: 13 March 2017
Label: M&A MusicArt

Tracklist:
01. Soulmate
02. Acid Sea
03. Search For Equilibrium

In case that you wondered if true gothic metal is still alive and how it sounds today than you should listen to Dawn Of Oblivion. This legendary Swedish band which returned from a ten years long hiatus in 2015 by releasing their stunning fifth album Phoenix Rising, an album which marked almost complete departure from their early days of gothic rock orientation into much heavier and darker sounds. The recently released EP named Soulmate consists of three tracks with some of the heaviest material this band released so far and by bands words is just a teaser for upcoming album, but still, these 14 minutes of Nordic gothic metal that Dawn Of Oblivion offer on this release are absolutely worth checking out.

While it's obvious that the band delivers now kind of their own style of gothic metal, the influence of bands like Paradise Lost, Tiamat, Type O Negative, Therion, mid era Fields Of The Nephilim (Zoon) and later era The Sisters Of Mercy (Vision Thing) are more than evident. I can't go past but noticing that Dawn Of Oblivion have some typical old school Swedish death metal elements hidden in their compositions as well, that's perfectly heard in those crushing blasts in the amazing opener "Soulmate", a gothic metal track par excelence, but also in the rather strange "Acid Sea", with a certain Motörhead-ish vibe, which to be honest got on my nerves a bit with that repetitive refrain, not a bad one, but it has kind of groovy energetic punkish vibe that somehow doesn't fit in here. Still with its galloping rhythm I believe that when played live this one can cause proper chaos. The last track, "Search For Equilibrium", is an emotional semi ballad with great vocals and some really amazing guitar passages, plus a solo which could as well be taken from Therion's seminal album Theli.

All of the three tracks just show how much potential this band has. Soundwise this is a very strong album, with persuasive deep versatile and dark vocals of frontman Victor who certainly adds another dimension to this already dark sound. Atmospheric gloomy synths just perfectly deepen the whole thing, very strong and powerful drumming, devastating bass lines that many times reach the border of typical gothic metal and venturing into extreme waters, and of course driving heavy guitars that just perfectly add the necessary dose of heaviness. All of the three tracks are very dynamic, vibrant and with pretty addictive melodic segments. The whole ambiance is dark and very dense, of course all this things will bring joy to every fan of gothic metal. All in all, in my opinion, Dawn Of Oblivion, if I somehow exclude the track "Acid Sea", did a perfect job on this EP and I can't wait for their next album. This is a band which must be without any excuses discovered by every single fan of gothic metal!

Review written by: T.V.
Rating: 7,5/10

Recommended by Terra Relicta

Band: Kammarheit
Album title: Unearthed: 2000-2002 (75th Cycle)
Release date: 27 March 2015
Label: Cyclic Law

In 2015, Kammarheit is synonymous with dark ambient. But back in 2000-2002 Par Bostrom was just beginning to test the waters of this under-the-radar genre. The birth of his project Kammarheit seems like it must have been a true awakening of the senses for Bostrom. After a field-recording session at an abandoned factory he immediately produced his first album Shockwork that very night. What followed was a torrent of albums, six in total, over the two year span from 2000-2002. Yet these albums were not intended for public consumption. A testament to how deeply personal Kammarheit is to Par Bostrom, he produced these albums as a means to help overcome his insomnia. They were only shared with a handful of friends and family at the time. This is an amazing addition to Kammarheit's officially released discography, and a reminder that Par Bostrom was a natural from the beginning and in it for the long haul.

Read a full review HERE