Please consider supporting this website by disabling your ad-blocker. This website does not use audio ads, pop-ups, or other annoyances. And please support Terra Relicta by giving a little donation if you can! Thank you!!!

Terra Relicta Top 20 Of 2017

01. Sólstafir
- Berdreyminn
02. Ulver
- The Assassination Of Julius Caesar
03. Lacrimosa
- Testimonium
Sun Of The Sleepless - To The Elements
05. Au Champ Des Morts
- Dans La Joie
06. Peter Bjärgö
- Animus Retinentia
07. End Of Green
- Void Estate
Anathema - The Optimist
09. Friends Of Alice Ivy
- The Last Days Of Fenwyck
10. Last Leaf Down
- Bright Wide Colder


Random album

Ashes You Leave - The Cure For Happiness (2012) - Review

Band: Ashes You Leave
Album title: The Cure For Happiness
Release date: 29 November 2012
Label: Rock N Growl Records

01. Devil In Disguise
02. Only Ashes You Leave
03. For The Heart, Soul And Mind
04. The Ever-Changing
05. Meant To Stray
06. Summer’s End
07. Reality Sad
08. The Cure
09. ...For Happiness

Croatian Ashes You Leave are back with their sixth album and my expectations were quite high regarding this release as I enjoyed very much in their previous studio album Songs Of The Lost from 2009. On Songs Of The Lost they reached the right combination in their own sound for the first time in their history, album was atmospheric, fragile, melodic, still dark and heavy, there was some kind of right chemistry, so I hoped that they'll stick on this formula. Unfortunately the band had many problems with the line-up and they endured some changes since 2009. There is a new female singer and drummer, and I'm quite sorry that Tamara Mulaosmanović left the band, because I was more than satisfied with her vocal approach and keyboard playing. The Cure For Happiness is a different story and I must say that it's a step backward from Songs Of The Lost.

All in all The Cure For Hapiness is not that bad, but not from the aspect regarding that this is bands sixth album. If this would be their debut it will be somehow satisfying, as there is not a lot of originality, production is a big letdown, many demos have better one, performance is kind of good one, the songwriting is adequate. If the band didn't release an album such it was before mentioned Songs Of The Lost then I'll judge this one from another perspective. Violin played by Marta Batinić is sounding great,  it gives kind of bond with early My Dying Bride who must be one bands biggest influences beside early Cathedral ("Ashes You Leave" is actually the song from Cathedrals 1993 album The Ethereal Mirror) and other doom and gothic mostly female fronted metal acts from 90's. The new vocalist Giada “Jada” Etro fits well into the whole picture, but there are too many moments when she losts the pace (for example in the chorus of "Devil In Disguise") . Her vocals can be sometimes very addictive, although nothing very special and she really can't be compared with their previous singer Tamara. Every other instrument is played well, yes, we have here a very talented band, just listen to magnificient guitars, especially occasional solos. Saša behind the drum kit is also one hell of the drummer and the keys played by guest Darko Terlević give the connection with gothic sounds. Another element that must be mentioned is the flute insertion, just listen how atmospheric everything becomes on "The Ever-Changing". In bands tendency to make their heaviest album ever they inserted more than usual dose of male growls and to tell the truth this is the point where the album losts its flow. Those growls work somehow silly and many times ruin the drive of the songs. For example in one of the best and longest songs up here "Summer’s End" where almost everything is on right place, the vibe, the catchiness, the right chemistry and emotion within pop elements becomes ruined by those uninspired growling vocals. I just wonder what they were thinking? Not to mention "Meant To Stray", how could you ruin something that has so many possibilities to be an outstanding doom metal track... and the list can go on and on with every single song. Just like I said before, the instrumental part is great, the typical doomy riffs in "Reality Sad" or dark "...For Happiness" work out impressive, also Giada shows her big potential, especially in the last one.

Unfortunatelly enough for Ashes You Leave this album gives a lot of contradictions and I believe that with just a bit of a different approach this could be an astonishing album. So, what we got is a good effort, but with too many glitches, the biggest one are vocals (male growls) and production which works somehow dry and shallow. I believe that the band wanted to make kind of rough and heavy record with this kind of production, but they lost the chemistry and depth that was reached on their previous studio album. I hope that it's not too late for them to learn the lesson as they are far from being the newcomers on the scene.

Review written by: T.V.
Rating: 6,5/10

Recommended by Terra Relicta

Band: Black Egg
Album title: Melencolia
Release date: 4 September 2015
Label: [aufnahme + wiedergabe]

The main persona behind Black Egg is the French composer/singer/multiinstrumentalist UsherSan, active in the music business since late 80s, known from before as the founder of the legendary Norma Loy and Die Puppe, this time he teamed up with the Austrian soul mate Corina Nenuphar (Ghost Actor, Vile Oblique, Suicide Potion,...), and the two created an album of highly hypnotizing dark minimalism. Melencolia gives shivers, it's an album with an eerie and cold atmosphere, yet at he same time it's very intimate and somehow schizophrenic. Melencolia is maybe the most minimalistic thing Black Egg did so far, but it offers such a multidimensional sound with many layers and variations that can't be taken just like another minimal dark electro thing, and it's absolutely not. Black Egg on Melencolia created a very dense and perverse sound which drills into your mind and soul with retro psychedelic elements, that could be in a strange way connected with the retro avantgarde rock sound of Velvet Underground and even with most disturbing and provocative things The Doors did back then. Use of different instruments, from synthetic retro beats, various samples, deep pulsating bass lines, piano, rhythmic noises,..., makes the whole thing dynamic, the atmosphere is often very suspenseful, psychedelic, sometimes almost appropriate for a BDSM orgy, everything is yet well produced and arranged, giving kind of a multimensional depth. Melencolia is sickness and darkness incarnated, it's beauty and schizophrenia, it's mysterious, melancholic and perverse.

Read a full review HERE