This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.

Please consider supporting this website by disabling your ad-blocker. This website does not use audio ads, pop-ups, or other annoyances. And please support Terra Relicta by giving a little donation if you can! Thank you!!!



Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Elegi - Bånsull (2017) - Review

Band: Elegi
Album Title: Bånsull
Release date: 10 February 2017
Label: Dronarivm

Tracklist:
01. Gejnganger
02. Hvor Her Er Ødselig
03. Full Av Tomhet
04. Mørtemann
05. Vemod
06. K-141
07. Messe
08. Elevte Time
09. Fordum

Elegi is no stranger to the dark ambient scene. Since the debut, Sistereis in 2007 on Miasmah Records, Elegi has been one of the front runners in the dark ambient scene. Yet, much like Dahlia's Tear, Elegi, for whatever reason, continues to fall beneath the radar of the greater dark ambient community. Lauded among fellow musicians, yet generally lost over the years to listeners. So, it is with great pleasure that I am able to review this latest work, Bånsull. In the hope that, not only will fans discover the beauty of Bånsull, but they will also find a need to seek out the previous two albums, Sistereis from 2007 and Varde from 2009.

Elegi has an amazingly unique take on dark ambient, which could be part of why their music has been overlooked. Hard to pin down, it could really be considered more of an experimental album than most others in the genre. Elegi works in the fashion of more recent artists like Flowers For Bodysnatchers or EnmartaElegi incorporates a multitude of instruments and sound sculpting to produce a work which is at once bold and engaging, yet simultaneously subtle and relaxing. This surely attests to the scope of creativity and technical talents of the man behind Elegi, Tommy Jansen hailing from Oslo, Norway. It seems that there is never an end to the magnificent talents of dark ambient musicians in Scandinavia. Elegi absolutely deserves a spot among the more well known projects: Svartsinn, Northaunt, Kammarheit, Taphephobia, etc. 

Bånsull is true to the form of Elegi. There hasn't been a lot of change, stylistically. Yet, that is a welcome statement to me, as the previous two albums were nothing short of masterpieces. Years have gone by, 8 years, since the 2009 release of Varde. It seemed all hope was lost for another album, and yet here it is! 

Bånsull is its strongest when incorporating the various instrument which most prominently include viola and piano. These instruments are used experimentally. There are no piano ballads or classically oriented string sections. The sounds produced by Elegi clearly fall within a dark ambient framework. There is little structure, in the traditional music sense. The sounds of these instruments are used gently, sparsely, and are complemented by the usual suspects of drone and field recordings. There can even be the occasional haunting voice incorporated as is the case on "Elevte Time". 

Then other tracks like "Fordum" take the sound into an equally interesting direction, with sounds crackling and popping as if the music is coming from an old record player. Coming into the mix is another voice, yet just as haunting as the previous. This one sings falsetto phrases over a plethora of field recordings and instrumentation. This brilliant blend of sounds then begins to take on a looping old song feel, which in some parts could be comparable to something by The Caretaker.

There is never a moment on Bånsull in which Elegi won't keep the listener fully entertained and engaged. Yet, the overall sound is so subtle that it can be used equally well as a background soundscape, for those times when deep thought or conversation would be interrupted by most music. I would absolutely recommend Elegi to any dark ambient fans who prefer something out of the ordinary. I would even recommend this to fans of neo-classical, for there are a lot of innovative and experimental uses of classical instrumentation here. It is an absolute pleasure to finally hear another album by this amazingly talented musician. I hope we will not have to wait another 8 years for the next one. 

Written by: Michael Barnett
Rating: 9.5/10

Recommended by Terra Relicta

Band: Atrium Carceri
Album title: Metropolis
Release date: 9 June 2015
Label: Cryo Chamber

Metropolis is above all a very dark meditative journey, locked out from the illusion and takes place entirely in our former home within darkened sky and gargantuan citadels where the man once ruled as gods. Metropolis is in strong connection with the previous proper album The Untold which was released in 2013 and with which Simon took us to the origins, to the primordial metropolis and into the void where the creator abandoned us. The new epic output follows the expedition to uncover the truth about the factions in control, what happened to the long lost architect and how to open a portal back into the colorful illusion the ignorant call home. Metropolis is one of those climaxes of everything taged dark ambient. This time Simon went quite out of the genre borders and created such a stunning work of art that will leave a deep mark within the scene. With such compositions where the attention for details is essential, where subtle layers offer an otherworldy experience, yet everything is well produced and comes with a very nice artwork and just calls for many repetitions. Metropolis is a prime example how to make dark ambient music flowing and melodic, strenuous and adventurous, strong, lush and emotional, almost solemn in its very essence.

Read a full review HERE