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Terra Relicta Top 20 Of 2018



01. Summoning -
With Doom We Come
02. MGT -
Gemini Nyte
03. Soul Dissolution -
Stardust
04. Ocean Of Grief -
Nightfall's Lament
05. Lumnos -
Ancient Shadows Of Saturn
06. Caedeous -
Domini Tenebrarum
07. Mournful Congregation -
The Incubus Of Karma
08. Rome In Monochrome -
Away From Light
09. Sojourner -
The Shadowed Road
10. Atrium Carceri & Herbst9 -
Ur Djupan Dal

More HERE

Random album

Mütterlein - Orphans Of The Black Sun (2016) - Review

Band: Mütterlein
Album title: Orphans Of The Black Sun
Release date: 22 April 2016
Label: Sundust Records

Tracklist:
01. Lesbians Whores And Witches
02. Black Dog
03. My War
04. Heirs Of Doom
05. Ghost Army
06. Mother Black Sun

Truly insane, wicked, haunting and absolutely unique is the debut album of French act Mütterlein. The band is conducted by vocalist, songwriter, composer and performer Marion Leclercq, joined by multi-instrumentalist Christophe Chavanon, and the two describe their musical output as witch wave. I don't know how else should I label this music and if they are ok with it so am I. This is unique music, that is also highly emotional and dark, but still, Orphans Of The Black Sun is above all a standout album, a genre defining one, transcending the borders of dark wave, apocalyptic folk, ambient and dark rock, it offers an unique experience. Mütterlein on their debut album presents six tracks clocking in around 35 minutes, but what minutes those are, there's not a single moment where the intensity is lacked, nor there's a part without emotional outpours, even if at moments it might sound a bit minimalistic, there's no single moment without being thrown into some kind of a bewitching magical world.

Orphans Of The Black Sun is not an easy album, at least after a first couple of listens it might be even disturbing, but the whole thing might drastically change if you immerse yourself a bit more into this musical creation. It's an album that needs listeners devotion and only then it starts to unveil all of its beauty and all wicked details that lay hidden inside. With strong lyrical messages, often weaving fascinating stories of damaged lives, deep neuroses and insanity, this album is so very intense, yet emotionally charged and bleak that is almost frustrating. Marion's voice is a proper source of damaged, yet abstract startling of expressiveness that provokes fear and traumas. Sometimes it feels like hearing a dying schizophrenic person in pain, and sometimes she sounds like a witch taken into the stake to be burned, but sometimes also so very fragile that you must almost feel kind of a compassion. There is anger, rage, but also despair and broken hope. There's no light in hypnotic Mütterlein's sound, everything is murky, based on gloomy church organ, pounding ritualistic percussions, punishing apocalyptic beats, echoing basses, corrosive guitar lines and dreadfull synths that cut very deep into listeners soul. Everything just to build a chilling sonic environment that invokes many abstract controversities and dreadful emotions. It's like being trapped in a nightmare, especially when the intense and epic compositions like is "Black Dog" or claustrophobic "Heirs Of Doom" build up so smoothly in ambiance. Orphans Of The Black Sun is so very dramatic, almost an appropriate musical score for your worst and sickest nightmare. It's not strange that some of you might recall in your mind the darkest and most haunting works of Diamanda Galás, but also the names like Jarboe and Chelsea Wolfe can come in mind here and there, but not to be compared that much musically, more like in a way of creating similar feelings with their soundscapes.

Everything is well connected and the album works out best if heard as an entirety, but still, when Marion puts all of her being into the frantic "My War" you'll remain speechless, believe me, such a powerful virulent drama built upon hatred, pain and fear that it's impossible to remain carefree and calm. The closing one, "Mother Black Sun", brings some sort of serenity, fragility and strange comfort mixed with a huge dose of melancholy after all, but even here the suspense and void is iminent. With Mütterlein's sound we are like being trapped in some sort of underground world or dungeon. This is an opus that conveys sadness and anguish of being, as beautiful as the biting cold of winter, yet as gloomy as a funeral of a loved one. It's all in one - sadistic, dreadful and mesmerizing!

Review written by: T.V.
Rating: 8,5/10

Recommended by Terra Relicta

Band: Born For Bliss
Album title: Falling Back To Never
Release date: 16 October 2015
Label: Echozone

Born For Bliss is finally back with an album that's by all means a proper masterpiece, Falling Back To Never, which takes with such an ease the listener into a magical world that can be rarely witnessed. Falling Back To Never is like a story told in twelve chapters and as the opener "Innocent" is repetitively saying, "tell me your story, tell me you're innocent...", you know in an instant what will be about lyricaly wise. If the opening song can be counted like a rather hypnotic and psychedelic, yet very multidimensional introduction into Falling Back To Never, the real drama and whole new world opens up with "This Narrow Place". The sound on the album is somehow complex, constantly divided between the emotional, gentle, atmospheric new wave sound, and the one a bit more hypnotic, but still there's not a single second on it where it loses its extraordinary pathos. The vocal job is simply breathtaking, it's difficult to explain what kind of a power, passion and emotion is poured into it, let it be when Frank sings alone or in a duet with Lori, one of the finest examples of such a duet must be the driving "Better Than Me". The overall very atmospheric sound is often enriched with use of various electronics, synths, piano touches and much more other well thought insertions. The one who takes this sonic journey must be satisfied in the end, because albums like it's Falling Back To Never are rarely released these days. A masterpiece!

Read a full review HERE