This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.

Please consider supporting this website by disabling your ad-blocker. This website does not use audio ads, pop-ups, or other annoyances. And please support Terra Relicta by giving a little donation if you can! Thank you!!!

Terra Relicta Top 20 Of 2018

01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods


Random album

Draugnim - Vulturine (2016) - Review

Band: Draugnim
Album title: Vulturine
Release date: 11 March 2016
Label: Debemur Morti Productions

01. That Name Is Hate
02. As In Hunger, So In Demise
03. A Passage In Fire
04. Grief Unsung
05. Drums Of Black Death
06. Serpent Stone

When the news of Draugnim's newest creation came to be, I was absolutely thrilled. Not only because I craved a good atmospheric black metal album and knew that Draugnim can flawlessly deliver it, but also because after many years of silence, I simply thought they called it quits. What started as a one man-project by Morior in 1999, Draugnim came to life when Chimedra joined shortly after and soon a release of their first demo Paynim Crusade followed. After three more demo recordings, Northwind's Ire, the band's startling debut finally came in 2008 and in two years its successor, Horizon's Low followed and so Draugnim made a name for themselves in the pagan/atmospheric black metal scene. But then everything went quiet and as you may assume, purely bureaucratic issues followed, up until this year, when Vulturine came to life - without any pompous or false promises. And it was clear to me by just one listen Draugnim still have it, as they have again delivered an album filled with dense, harrowing and excruciating atmosphere, painted in various shades of black and veiled in mists of northern folklore.

A six track album can be described in one word as nothing less than grandiose. Lengthy compositions flow from one to another so seemingly effortless, so as you enter the dark realm of Vulturine you witness one epic tale, being told by the songs. The solid foundation of melodic black metal peculiarly intertwines with features of pagan metal and the result is a powerful album, filled with savage dynamics and ghastly ambient. The opening track "That Name Is Hate" starts with a solemn sound of falling rain and then swiftly changes its charge to a full blasting melody. The use of steady guitar riffs and blasting rhythm section is enhanced by the melodic use of keyboards and haunting vocals, which it strangely reminded me of early Moonspell from their Goat On Fire/Wolves From The Fog and Under The Moonspell EPs or even their sisterly project Daemonarch, which came quite as a surprise to me, as I haven't heard anything like it since… well, never actually. Not to sound like Draugnim is a copycat though, as the song magnificently develops further until it reaches that very intense and majestic ambient I was bringing out earlier. The tales of northern folklore, battles, nature and disasters are rooted strongly in Draugnim's sound, so even if you are not familiar with the lyrics, you will fill the soundscapes bring out the story solely by itself. The pagan side of Draugnim is even more enhanced in the following "As in Hunger, So in Demise", especially when it shifts in the second half of the track, where it hits will all its charge. "A Passage In Fire" in contrast is build around the foundation of sharp, genuine black metal, with fast drumming, uncompromising guitar riffs and passion-filled, tenebrous growls. As the title already suggests, "Grief Unsung" then sinks the album in the more slow, doom-ish and morbid direction and in a similar manner follows the closing "Serpent Stone".

So you see, what makes Vulturine so distinctive are many aspects, which impact the kinetic energy of distinguishable soundscapes delivered on this album – it's like all pieces of puzzle fit together in one big, massive and dismal picture. The play of contrast, brought by peculiar use of instruments is strongly emphasized by Chimedra's astonishing vocal performance, as his versatile use of death growls strike as a scream of profound agony, as well as depict a more deathly and warlike ambient and together it flows with an emotional charge of each and every track with absolute brilliancy. Draugnim have again released an album with a power to put a nightmarish spell on you, from the first to the last second. Its fiery passion, flamboyant, yet not too pushy or over the head theatrical sensation is truly one of a kind. Vulturine is not only a must for Draugnim fans, as it follows the signature sound of their first two albums, but an album, which should stay in good graces of anyone who is seeking for a strong and versatile atmospheric black metal release.

Review written by: Ines
Rating: 9/10

Recommended by Terra Relicta

Band: Pronoise
Album title: The Border Crossing
Release date: 15 May 2015
Label: Surgical Knife Records (Self-Released)

With one half of the duet being more inclined to dark rock and post-punk music, and the other feeling more at home in the field of dark electronics, you can only imagine these two worlds symbiotically intertwine throughout the entire record. With dark electronic beats carrying the essential groove, this album serves the listener with so many stylistical collisions, intertwining elements which go all the way from post-punk, goth rock, dark rock through darkwave and also EBM and industrial music, while carrying emotional and sometimes even very aerial charge. What on the outside - for a listener - may sound so simplistic is actually a conglomerate of not only the clashing ideas of two talented musicians with a clear vision of they want, but also hard work. The incorporation of so many different elements, coming together from so many different genres, is an ungrateful task and things could go wrong so easily here. Pronoise have proven they are a well-oiled machine, with many ideas, which are to be formed in musical art. Whether you see yourself dancing in a club to the beats, which are sending strange and vibrant impulses through your nerves or sitting in a dark room, sipping a glass of wine and asking yourself a thousand questions, The Border Crossing will fit in your picture.

Read a full review HERE