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Terra Relicta Top 20 Of 2018



01. Amorphis -
Queen Of Time
02. Dimmu Borgir -
Eonian
03. Khôrada - Salt
04. Immortal -
Northern Chaos Gods
05. MGT -
Gemini Nyte
06. Summoning -
With Doom We Come
07. Crone -
Godspeed
08. Primordial -
Exile Amongst The Ruins
09. Atrium Carceri & Herbst9 -
Ur Djupan Dal
10. Mournful Congregation -
The Incubus Of Karma

More HERE

Random album

The Last Dance - Ruins (2015) - Review

Band: The Last Dance
Album title: Ruins
Release date: 17 April 2015
Label: Mystine Records/Strobelight Records

Tracklist:
01. Mesmerize
02. Missing
03. KatSong
04. Cages
05. Still
06. Edge Of The World
07. Thoughtless
08. Scars
09. Everything That You Wanted
10. Medicine
11. Rose
12. Still Waters
13. Desperately Still (Klonavenus Remix) [Bonus]

There is a band emerged in Southern California whose name was burnt into the memories of those who were initiated in the worship of gothic rock over two decades ago. I refer, of course, to The Last Dance, to whom we owe some of the most far-reaching melodies that have broken onto the dark realm during the 1990s. Evergreens such as "Do You Believe In Angels?" or "Fairytales", among many others, are good evidence of this. Almost nine years after their last full-length release, The Last Dance are back with their sixth album, entitled "Ruins", which preserves and even enhances what has made them influential in the past. Furthermore, they have not hesitated to venture along new experimental directions during the songwriting process, resulting in a slightly revamped sound which nevertheless stays true to their trade mark.

"Watch me now / watch me, closely as I whisper / and take you deeper and / deeper into your dream / into your dreams...". Thus the journey begins, with the male/female duet singing these lines in an hypnotically cadenced manner. Together with the metallic bass tones, ominous synths and chiming guitars, it all creates a gorgeous, oriental-tinged feeling of transcendence that fully lives up the title of the album opener: "Mesmerize". "... / All of this is real / ...". This verse marks the transition to the second stage of the song, still dreamy but more explosive, driven by an ardent, melodic burst of from the guitars and keyboards, being the whole thing topped with memorable refrains. And it's only just beginning. All the songs included in this record can be counted as winners, in my opinion, each of them within its own style frame. Thus, you can find anthems of high dusty content such as "Thoughtless", whose soaring, sinuous riffs and passionate, clean/growly vocal interplay, will take you into an emotionally intense ride; certified gothic rock hymns like "Katsong", featuring hooky drums that rocket the pace with tribal dexterity, in partnership with rumbling pinches on bass, guitars churning out wistful chords both eerie and saw-like, and Jeff crooning his sorrow when the track shifts down a gear; hybrids of slamming electronics and yearning, massive string solos, as it's the case of "Missing" and "Cages"; refined Darkwave crafts like "Edge Of The World", supported by steady, dance-inflected sequences, fairly guitar driven though, and fused with soulful female vocals and fiddles setting an alluring contrast; widescreen, muddy mid-tempos to fly down the highway such as "Medicine", floating in some The Cult’s suspension spirituality, propelled by rolling, echo-drenched bass thrums and unfussy, yet propulsive drums, with the gritty roars and squeals of guitar providing a serious lift off... and so on until to the last song numbered in "Ruins".

Thirteen well-told stories of pleasure and pain that give chills even a long while after the sound is off, written by a band that continues thriving truly in their primal selves.

Review written by: Billyphobia
Rating: 8,5/10

Recommended by Terra Relicta

Band: Atrium Carceri
Album title: Metropolis
Release date: 9 June 2015
Label: Cryo Chamber

Metropolis is above all a very dark meditative journey, locked out from the illusion and takes place entirely in our former home within darkened sky and gargantuan citadels where the man once ruled as gods. Metropolis is in strong connection with the previous proper album The Untold which was released in 2013 and with which Simon took us to the origins, to the primordial metropolis and into the void where the creator abandoned us. The new epic output follows the expedition to uncover the truth about the factions in control, what happened to the long lost architect and how to open a portal back into the colorful illusion the ignorant call home. Metropolis is one of those climaxes of everything taged dark ambient. This time Simon went quite out of the genre borders and created such a stunning work of art that will leave a deep mark within the scene. With such compositions where the attention for details is essential, where subtle layers offer an otherworldy experience, yet everything is well produced and comes with a very nice artwork and just calls for many repetitions. Metropolis is a prime example how to make dark ambient music flowing and melodic, strenuous and adventurous, strong, lush and emotional, almost solemn in its very essence.

Read a full review HERE