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Terra Relicta Top 20 Of 2018

01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods


Random album

Savn - Savn (2014) - Review

Band: Savn
Album title: Savn
Release date: 13 May 2014
Label: CDR Records

01. Musical Silence
02. Hang On
03. The Demons In Me
04. Longing For Love
05. I Am Free
06. Sorrowful
07. All I Want
08. Now Or Never
09. Lengselens Hånd
10. Hang On (Growling version - bonus)
11. The Demons In Me (Growling version - bonus)

There were a lot of rumours about the possible reuniun of legendary gothic doom metallers The Sins Of Thy Beloved who are dormant since 2000, but nothing happened out of those voices. Instead of that two members, Stig Johansen and Anders Thue returned with a new creation, Savn (in English deprivation). They were joined by Midnattsol vocalist and long-time friend Carmen Elise Espenæs. And if you expected Savn to be just a mere continuation of The Sins Of Thy Beloved you are wrong, neither is something like Midnattsol, so those waiting for something in the vein of The Sins Of Thy Beloved should search somewhere else. The seeds of the band were planted when Stig contacted Carmen to sing on just one song for the planned album,... and the rest is history. Savn doesn't really follow recent trends in female fronted metal, they are saying to be determined to discover new teritories.

Even though their music can be described as a gothic metal, in its core it has many different alloys. Some might find resemblances with early Theatre Of Tragedy, early Leaves' Eyes or even Sirenia, but there are many other layers hidden inside. Superficially might be just like another female fronted gothic/symphonic metal creation, but like in many cases there are houndreds of details built in there that give a complete picture. The instrumental side is impeccable. It's elegant, nicely flowing, great guitar work, althought beign without any solos there are plenty of amazing riffs, perfective drums kicks, amazing and atmospheric synth job, yet everything is put so smoothly together. I must be honest and say that Savn did a bit too much predictable song compositions. On the other hand those searching for catchy melodies will find tons of those and I believe that you'll be obsessed with their beauty for a long time. I was impressed by many celtic/folk music insertions thrown in there by use of fiddles, shining in its best form on the first single "Hang On" and in the melancholic ballad, the only one song sangt in Norwegian - "Lengselens Hånd", but not only there. You'll also find quite a lot of sparkly piano touches and cello sounds to keep everything as dynamic as possible. Carmen delivers her best ever vocal performance, still I would expect just a bit more of passion and power in her voice, but that's easily forgotten when harsher vocals by Stig give company and form a fantastic beauty and the beast duet. I can't forget to mention guest vocalists, the first one beign Michelle Darkness courtesy of End Of Green, with his trademark captivating raspy dark voice on "The Demons in Me". Then of course, Carmen's better known sister Liv Kristine (Leaves' Eyes, ex Theatre Of Tragedy) couldn't be missed in here and the girls joined together in energetic "I Am Free". To be honest it's somehow difficult to distinguish the two as both have kind of same voice colour. The sound is filled up with additional strings and orchestrations performed by Lingua Mortis Orchestra directed by Victor Smolski on "Sorrowful" and before mentioned "Lengselens Hånd". I was surprised that new Espenæs family member Alexander Krull (Atrocity, Leaves' Eyes), who did all the production, mixing and mastering, didn't took his part as a guest singer, but maybe it's better this way, sorry man.

Savn's self titled debut album is a good effort. Even if they claim so this album doesn't really bring any new discoveries in the sole spectrum of female fronted metal bands, but what they do they do it good and it's without doubt one of the recent highlights in this musical field. Krull's production is good as it always was, crystal clear and enough heavy sounding. The trio did one hell of a down to earth album, it's not genre expanding, it's a very safe one, but it's a honest one,... I'm sure that those who liked before mentioned three bands will be more than satisfied with this output, maybe even more if they'll find out the edition with two bonus tracks which happens to be growling versions of songs "Hang On" and "The Demons In Me".

Review written by: T.V.
Rating: 8/10

Recommended by Terra Relicta

Band: Kammarheit
Album title: Unearthed: 2000-2002 (75th Cycle)
Release date: 27 March 2015
Label: Cyclic Law

In 2015, Kammarheit is synonymous with dark ambient. But back in 2000-2002 Par Bostrom was just beginning to test the waters of this under-the-radar genre. The birth of his project Kammarheit seems like it must have been a true awakening of the senses for Bostrom. After a field-recording session at an abandoned factory he immediately produced his first album Shockwork that very night. What followed was a torrent of albums, six in total, over the two year span from 2000-2002. Yet these albums were not intended for public consumption. A testament to how deeply personal Kammarheit is to Par Bostrom, he produced these albums as a means to help overcome his insomnia. They were only shared with a handful of friends and family at the time. This is an amazing addition to Kammarheit's officially released discography, and a reminder that Par Bostrom was a natural from the beginning and in it for the long haul.

Read a full review HERE