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Terra Relicta Top 20 Of 2018



01. Dimmu Borgir -
Eonian
02. Amorphis -
Queen Of Time
03. Summoning -
With Doom We Come
04. MGT -
Gemini Nyte
05. Soul Dissolution -
Stardust
06. Crone -
Godspeed
07. Midas Fall -
Evaporate
08. Collapse Of Light -
Each Failing Step
09. Mournful Congregation -
The Incubus Of Karma
10. Auri -
Auri

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Random album

Christine Plays Viola - Vacua (2014) - Review

Band: Christine Plays Viola
Album title: Vacua
Release date: 22 March 2014
Label: Cold Insanity Music

Tracklist:   
01. Awakening Of The Damned
02. Wrapped In Spiral
03. Slaughter Of The Black Sun
04. In Silence Withdrawn
05. Threatening Clouds Of Surrender
06. Near The Entrance To The Underground
07. Scattered In The Dust (Slay With Dismay)
08. The Dawn Of The Beastmen
09. Rejecting The Limitations Of Fate
10. Leocadia
11. Appointment With Dead
12. Wooshing Dissolution
13. Sublime Ravings
14. Sharp Impulse
15. Thirst For Justice

Italy's quartet Christine Plays Viola is different from every other genus in the current Goth family and Vacua, their second full-length release to date, leaves no doubt in that respect. It not only delivers on the promises made in the Single/EP Leocadia the past year, but goes even beyond them to take the quality and consistency of their previous work one level higher. All its elements (lyrics, music, arrangements, subjects) has been drawn with precise, well-crafted brushstrokes, framing an inspiring mosaic of feelings and emotions. Starting from post-punk and darkwave fragments, this goth rock painting emerges as a haunting realm that seems ruled by its own rules. In fact, it's nothing new that Fabrizio Giampietro (guitars, synths, programming), Massimo Ciampani (vocals), Desio Presutti (bass) and Daniel Palombizio (drums, synths) are experts in the art of soundscaping. Although this time shadows clearly predominate over lights - one only has to glance through the tracklist to realize it. Another strength is Christine Plays Viola's particular skill to constantly change the moods - often several times within the same track - swapping them through smooth, barely preceptible transitions. This distinctive feature, together with the inventive ambiances, is indicative of a solid classical background.

So, in spite of its title what this album treasures is anything but vacuous. On the contrary, you will find yourself riding an emotional roller-coaster, firmly attached to bass and percussion rails, whose main evoking force lies in the singer's versatility. Massimo's capacities enable him to switch between high-pitched voices and baritones with dexterity, thereby making Christine Plays Viola's creations immediately recognizable. All the above, plus the debonair, flawless guitar playing, explain why this band has been striking a chord with a diverse audience since its inception in Pratola Peligna six years ago. Their personal style appeals to goths of all sorts, from old-school devotees to fans of the newer sounds. This is not surprising given anthemic gems such as "Slaughter Of The Black Sun" and "Scattered In The Dust (Slay With Dismay)". The song-writing manages to salute British New Wave, The Cure and, to a lesser extent, The Chameleons, without being capture by them. However, Christine Plays Viola is a kaleidoscopic artefact of a different caliber entirely as it's shown from "Near The Entrance To The Underworld", which undulates and soothes in its first part, swaying in synth breezes and well-projected low vocals, until bass shifts the track into a higher gear, working its alchemy with the addictive percussion and choruses; or by the closer, "Thirst For Justice", gloomy and sprawlingly epic, drenched in ominous effects and keys in counterpoint to delicate guitar pluckings. Not to mentioned "Whoosing Dissolution", partially oriental-flavored, flashing brilliantly on its calm phases and roughly explosive when anxiety takes control, or "Leocadia", built on moody bass and tribal drums, with vocals, melodies and distortions insinuating lots of Goya's black painting imagery. But if something characterizes Vacua that is its assortment. Thus, you can find tunes as diverse as "In Silence Withdrawn", which variegates in the cooler colours of wave, "Threatening Clouds Of Surrender", charmingly speckled with synth pop tones, or you can also distend yourself in the instrumental serenity of "Sublime Ravings", be carried away by the sweeping tunefulness of "Rejecting The Limitations Of Fate", or almost literally spin round on the weird carousel that "Appointment With Death" is.

Fifteen tracks in total, being all of them refined and substantial, filled with glossy programmed mutations and hooky driving rhythms, which in addition are pervaded by a wholly-owned, surrounding darkness that is well worth getting lost in.

Review written by: Billyphobia (Virus G)
Rating: 8,5/10


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Band: Salvation AMP
Album title: Earth We Walk Upon
Release date: 18 April 2015
Label: Self-Released

It seldom happens that a record touches something very deep in you from the first second and thereafter keeps you entranced until the end. Such is the case with Earth We Walk Upon, the second album by Germany's Salvation AMP. Handling guitar as their muse, Salvation AMP summon alternative rock, dark-tinged classic rock and new wave elements through their music but nevertheless they're craftily diluted in a patented lift-off mix. Specifically in Earth We Walk Upon, they've broadened their sonic palette in a subtle way and, additionally, their outstanding harmonic interplay has been brought to the next level. Simply put: hair-rising rock with enjoyable touches of influential guitar-driven goth. Earth We Walk Upon is an emotional, filled, surrounding stringed beauty that will grow into a lifelong listening for you.

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