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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

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Random album

Thot - The City That Disappears (2014) - Review

Band: Thot
Album title: The City That Disappears
Release date: 14 April 2014
Label: Black Basset Records/White Leaves Music

Tracklist:
01. HTRZ   
02. Rhythm.Hope.Answers
03. Keepers   
04. Dédale   
05. Blank Street   
06. Negative Buildings   
07. Traces   
08. Citizen Pain

Dear reader! I'm in love! I have probably never been so struck by an album, as it happened with The City That Disappears, following by the whole musical repertoire by Belgium vegetal noise music Thot. Just so it happens, I’m very much intrigued with experimental music and Thot was just what I was craving for. Captivating and explosive to the last point.

Driven by the creative force of an incredible young musician, Grégoire Fray, Thot incorporates ambient music with post-rock and electronic features. Stating Fray is a talented musician would be a rough understatement, since he is the soul, the voice and the face of this staggering artistic composition. Thot’s music is distinguished by smoothly messy aestheticism, combining various elements, which coexists in the most serene musical symbiosis.
 
How to even put all the imprints and feelings to words? Difficult indeed, because Thot’s music evokes such a wide palette of endless emotions, it’s almost surreal. The compositions are a synthesis of transfixing ambiance and striking industrial rock driven tunes. With the opening duet “HTRZ” and “Rhythm.Hope.Answers”, The City That Disappears will carry you on a voyage of spaced-out soundscapes, which radiate delicacy and a strong punk-rock vibe at the same time. The juxtaposed “Keepers” then opens the doors into a completely new realm of calm, velvet and transcendental melodies. The tender piano tunes alongside Fray’s mesmerizing vocals emanate spleen and fragility in the most exquisite manner. The following “Dédale” traverses in a similar, mesmerizing atmosphere, with slightly intensifying rhythm, which carry the album into the next phase of noisy explosiveness. “Negative Buildings” is another perfect example of how incredibly counterpoised all the various elements are on this record.
 
With 8 incredible tracks (9 on Vinyl), with The City That Disappears you will travel through extraordinaire mélange of aligned sounds, free of all boundaries. I highly recommend this album to anyone, who finds joy in experimental music and is not afraid if the tunes go a bit over the top from time to time. The city may have disappeared, but Thot’s music will not, as it will surely live fingerprints on the music scene, which will not disappear easily.

Review written by: Ines
Rating: 10/10

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Band: Red Sun Revival
Album title: Identities
Release date: 19 June 2015
Label. Echozone/Ressurection Records

When the London based four piece Red Sun Revival released their debut album, Running From The Dawn, in 2012, the gothic rock fans were nothing but mesmerized and hooked by its ethereal emotional melodies, yet very personal and deeply moving songs. Then the EP named Embers brought one hell of a promising four tracks where the band showed even more matured compositional skills. With Identities the band got even more unique sound, even though the typical gothic rock elements perfected before by The Mission, Nosferatu, The Cure and Fields Of The Nephilim are present all over, but done in such kind of soundtrack-ish style, with pinch of pop like edge in some rhythmic lines, with emotions pouring out with every chord, every beat and every word, I don't believe we ever heard something alike before. Identities with all of the ten featured songs is as opposed to the debut album written not only by bands mastermind Rob Leydon, this time also bassist Panos Theodoropoulous took a part in the compositional process and the consequence are even more flowing, lush and original soundscapes, even Rob Leydon's voice has almost nothing to do anymore with Carl McCoy. In a way I can go as far and say that if later era Pink Floyd were ever going to make gothic rock then something similar could came up. Identities offers a myriad of amazing moments that flow like a tender warm breeze of the most refined darkness, thus exposing all of its beauty to the one who'll give to this release a careful listen.

Read a full review HERE