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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Riverland - Riverland (2013) - Review

Band: Riverland
Album title: Riverland
Release date: 8 February 2013
Label: Secret Entertainment

Tracklisting:
01. Hope In The Air
02. Help!
03. Sounds
04. Pictures
05. 2001 (Love)
06. Clear Water
07. Riverland

This self-titled album is the debut of Finnish duo Riverland, although I don't know if it's appropriate to call it full-lenght album as it contains only twenty minutes of music. Nevertheless, the two, vocalist Mikko Heino (better known from Minutian and Montage) and guitarist Roni Seppänen (also in Montage), crowned their five years long path with this record. We can't forget Aki Väkevä who helped them with programming and made the final mix of the album. The music served by Riverland is nature inspired acoustic progressive rock with huge impact of folk music and some modern pop.

Each track on this album is a tale inspired by the imaginary land of Riverland, where people have learned how to live in harmony and love. It's a concept album with main themes like helping and taking care of each other, love and similar sweet things. Music has a nice flow, mainly based on acoustic guitar and tender, but still somehow cold vocals. There are some electronics, piano touches, deep bass lines and careful, yet gentle percussions, that give more depth and atmosphere, as otherwise everything could remain too bland. Mikko's vocals in some parts remind to some 70s rock ballad singers, but he has the ability to guide the listener through this sweet and very emotional album with elegance and charm. Vocal performance reaches its peak with captivating duet between Mikko and guest female singer Satu Heino in "2001 (Love)". Guitar lines are played very good, though don't expect any technical excesses, but a lot of catchy melodies and atmospheric passages, even some guitar solos are present and played well, like in "Sounds". A lot of melliflous pop elements and typical folkloristic insertions make this music more dynamic as it will be otherwise.

Yeah, I know, Riverlands music is not for those who like dark music or harsher rhytms, but it's a nice time-out between some more demanding music. It offers some relaxing music that can chill you out, especially in those hot summer days. Those who like bands like Leafblade, Gazpacho, Tirill Mohn, acoustic side of Anathema, Rush, Marillion, Pink Floyd, Neil Young, Tom Petty and similar should go for it. It's well produced and after all I must say that it's good that it's so short, because otherwise it could be too strenuos to get some more sweetness.

Review written by: T.V.
Rating: 7,5/10

Recommended by Terra Relicta

Band: Ugasanie
Album title: The Dark Side
Release date: 19 September 2015
Label: Black Mara Records

Ugasanie takes a vacation from his often polar dark ambient style, to give us a truly eerie album! White Silence's “To The Lord Of The Polar Desert With Seven Faces” and “Arctic Hysteria” on Call Of The North gave us a hint of some of the creepier territory that Ugasanie was comfortable in. However these tracks were part of greater polar-themed albums. The Dark Side takes us to a whole new place with Ugasanie, down the deep dark corridors of the underworld itself. The Dark Side is an ode to death and eternity, where you will hear field recordings captured in places such as morgues and cemeteries. It is a prayer to Mara, the Slavic goddess associated with seasonal rites based on the idea of death and rebirth of nature. She is associated with death, winter, and nightmares. A very fitting patroness for Ugasanie and a fitting name for the fledgling label Black Mara, which specializes in dark ambient. The darkness Ugasanie portrays here is as cinematic as it is unnerving, yet it is never too harsh or overwhelming for the listener. It holds us tightly in Mara’s embrace and keeps us there from beginning to end. Ugasanie has shown us the darkness of Mara, goddess of death, in a brilliant collection of tracks. This album is highly recommended for any fan of dark ambient with equal amounts of subtlety and aggression.

Read a full review HERE