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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Demoncast - Livewire [EP] (2013) - Review

Band: Demoncast
Album title: Livewire
Release date: 25 February 2013
Label: Danse Macabre Records

Tracklisting:
01. Bitch
02. Crack
03. Poseidon's Curse
04. Bad Intel
05. Immortal

Livewire is the first release of Israelian duo Demoncast, who hides in its line up well known industrial artist Ptyl and rock/metal singer Ariel Aviad. This combination works quite good up here and offers something for a wider crowd. To tell the truth I was a bit afraid of this release, because after hearing the first track "Bitch", it left me quite cold and disappointed, although this one is an example of hard-hitting upbeat, danceable EBM-cyber-industrial-electro sound with rock elements. The problem is that it's is too much ragged, the vocals work out silly and I almost left this EP unheard in its entirety. But, just recently I gave it another try and what follows after before mentioned "Bitch" is very satisfactorily.

Demoncast show the huge creative potential in eight minutes long epic semi ballad "Crack", where the tension rises until it explodes in enigmatic last part of the track. Sensual and seductive female vocals over the hypnotic, yet mellow but very dark bass layers works great. Strong industrial beats, kind of Nine Inch Nails and How To Destroy Angels elements mixed with some sections that reminds to Eurythmics. Vocal duets between the two are fantastic. Just listen to danceable "Poseidon's Curse". There are so many interesting moments, catchy melodies that get under your skin, for example in cyber-industrial based "Bad Intel", where Demoncast uses very charming, yet strong samples to create crushing, still emotional provocative atmosphere. They are not afraid to insert gothy elements, pop vibrations, spacey ambiances and with elegance transform them in hard driving and psychedelic industrial storm. Here and there even some interesting alternative guitar lines are heard. I must mention also new wave elements that are witnessed all over the Livewire.

The best comes in the end with "Immortal". Such nicely flowing, dramatic and passionate, almost erotic vibrations, excellent driving guitar. Sometimes Demoncast take you on the edge of madness and on the very next moment they settle the things with tenderness in their sound. They differ from thousands of artists in todays alternative/industrial/electro scene with their specific nature of compositions and variations the two use for their musical output. The final result gives a satisfaction and I just wonder which direction they'll use in the future. I certainly hope that their primal goal is not the track "Bitch". Oh yes, a little bit more elegant and elaborate artwork could be also taken in consideration.

Review written by: T.V.
Rating: 7,5/10

 

Recommended by Terra Relicta

Band: Near Earth Orbit
Album title: Trans Neptunian Objects
Release date: 9 October 2015
Label: Solar Lodge

We are back in the future, exactly in the year 2034. The second chapter of Near Earth Orbit invites us again to experience an imaginary movie created by the force of sound. Now the mother Earth is left behind, it went into ashes; do you remember the last words on End Of All Existence from the communication between the Mission Control Centre and Ashley Dayour? "OMG the apocalypse is fucking beautiful!", Ashley said in the end of the of the album which was released in May this year, and then it was only silence... Now Artaud Seth (Garden Of Delight, Merciful Nuns, Lutherion) and Ashley Dayour (Whispers In The Shadow, The Devil & The Universe, Coma Divine,...) are deep in the space. Trans Neptunian Objects reveals why the E.D.E.N. mission was discharged there and how it got there, the significance of the Einstein-Rosen Bridge and also which part a pre-human device buried deep in the desert sand has got to play in all of this. It's almost impossible to separate the first Near Earth Orbit's chapter, End Of All Existence, and the second one, Trans Neptunian Objects. Musically the new effort by Artaud and Ashley differs a bit from the previous one. While the biggest emphasis on the first chapter was on dreadful apocalyptic atmosphere, now the two based their sound a bit more on powerful, still very cinematic and atmospheric doomy gothic rock. Trans Neptunian Objects is a strong and dark album from every possible point of view, it's a solid and extraordinary release, perfectly capturing the feeling and experience of being in the vastness of space, yet it's very well produced piece of unique sonic darkness that shouldn't be missed out.

Read a full review HERE