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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

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Random album

MelancholicA - Lamentation For A Deprived Desire (2012) - Review

Band: MelancholicA
Album title: Lamentation For A Deprived Desire
Release date: 1 March 2012
Label: Cvlminis Records

Tracklisting:
01. Angel Of Distress
02. Dark Fortress
03. Goddess Of Darkness
04. Sorrow's Creation
05. Oath To Darkness
06. Sorrow Is Begun
07. Ignorance
08. Territory Of Sorrow
09. Gravestone Of Desire
10. Love Is A Way To Die
11. Wail My Sorrow (Call Me)
12. Letting The Cables Sleep
13. Thou, Whose Face Hath Felt The Winter's Wind (Sun Of The Sleepless cover - Bonus Track)
14. Territory Of Sorrow (With Drums - Bonus Track)

I know that is more than one year since the official release of this album, but how many times you can get a chance to listen and review an album that comes from an Iranian (!!!) band? You must be bold enough to name your band with such a strong name as MelancholicA, as with this comes a certain obligation to satisfy the lovers of melancholic music. I was a little bit worried about this, but when I finally found myself in the right mood to fall into these sounds it really took me into kind of depressive state that is hard to get out.

MelancholicA is a band founded by Afshin Effati who made almost everything present up here, still with help from some special guests who have given their part and the list of guests is long enough. As soon as the album starts you'll notice that there is no space for any light, only darkness and melancholy is present. After a short intro and really impressive gloomy atmospheres and orchestration on instrumental "Dark Fortress", the journey into some of the most obscure soundscapes begins. First eight tracks, done in a minimalistic way by usage of classical instruments like piano, violin, cello, with occasional drum insertions, some acoustic guitars, tiny distortions and synths to fulfill the atmosphere are kind of meditation or better said, like the album title suggests, an inner lamentation of deprived soul. Vocals are the only thing that connects this music with metal music, or better said black metal, though that can be considered just conditionaly, as the music is kind of neo classical, ambiental or atmospheric output. Everything is played smoothly and with certain somber feeling that must get your atention. Still don't expect some kind of virtuosity, but rather refined sense to create, play and compose sorrowful lines. Vocals are like painfull shouts, shrieks and screams of pain, used in a narrative way. Here and there it's noticeable that a huge influence to MelancholicA must be Pink Floyd, just listen for example to the beginning of "Sorrow's Creation" and later on the amazing ballad "Gravestone Of Desire", which is the only track up here that has different, rock composition. This one is sangt by Jouni Nikula of Requiem and resemblances with early Anathema and most subtle atmospheres of Pink Floyd are evident. I couldn't help but notice slight touch of Queensryche from Promised Land era. Psychotic mezzo-soprano and haunting female vocals on the next one "Love Is A Way To Die", sangt by Safa Serenity are so emotional and breathtaking that it's really sad that this are her only vocal lines up here, as they combine so well with the instrumentation. Sometimes cello lines reminds to Finnish Apocalyptica, but this is much more, very much more darker and bleak.

What follows is similar to what we witnessed on the beginning and really nicely leads the listener into the final tones, but before that there comes as a bonus surprise a cover of German ambient/black metal band Sun Of The Sleepless song "Thou, Whose Face Hath Felt The Winter's End". Everything ends with a version of "Territory Of Sorrow", with addition of drums, and surprisingly it sounds fantastic as it makes this track much stronger and somehow violent.

MelancholicA are not offering an easy listen, this is certainly not your everyday stuff. They can be even more depressive as most of so called suicidal depressive black metal bands, though I believe that the fans of just mentioned sub-genre could be those who will find the biggest pleasure in Lamentation For A Deprived Desire. I don't know if it's the enviroment or something else that inspired Afshim in this creation of something that holds the essence of what could be called "dark music". The only problem comes with production, but on the other hand it gives some kind of charm with its dirty unpolished sound. The band should also consider in the future to make a bit better album artwork, at least I'm suggesting this.  Otherwise I'm almost sure that lovers of depressive and melancholic, yet very emotional and at the same time diabolical music should absolutely grab this.

"Tears of a dead shore, Defeated by my burning soul, Discovering all the things coming to know, Continuing to gather the ashes of my hope".

Review written by: T.V.
Rating: 8/10

Recommended by Terra Relicta

Band: Born For Bliss
Album title: Falling Back To Never
Release date: 16 October 2015
Label: Echozone

Born For Bliss is finally back with an album that's by all means a proper masterpiece, Falling Back To Never, which takes with such an ease the listener into a magical world that can be rarely witnessed. Falling Back To Never is like a story told in twelve chapters and as the opener "Innocent" is repetitively saying, "tell me your story, tell me you're innocent...", you know in an instant what will be about lyricaly wise. If the opening song can be counted like a rather hypnotic and psychedelic, yet very multidimensional introduction into Falling Back To Never, the real drama and whole new world opens up with "This Narrow Place". The sound on the album is somehow complex, constantly divided between the emotional, gentle, atmospheric new wave sound, and the one a bit more hypnotic, but still there's not a single second on it where it loses its extraordinary pathos. The vocal job is simply breathtaking, it's difficult to explain what kind of a power, passion and emotion is poured into it, let it be when Frank sings alone or in a duet with Lori, one of the finest examples of such a duet must be the driving "Better Than Me". The overall very atmospheric sound is often enriched with use of various electronics, synths, piano touches and much more other well thought insertions. The one who takes this sonic journey must be satisfied in the end, because albums like it's Falling Back To Never are rarely released these days. A masterpiece!

Read a full review HERE